England -- Social life and customs -- 19th century -- Fiction; Young women -- Fiction
"Oh that will be all right," said Winifred. "I will find something to
begin with, I daresay, and if I don't like it, I can easily move."
Her tone made Hertha rather uneasy again.
"But all moves are expensive," she said. "Try to settle down if
possible."
"Ah, well, yes, if I can get rooms for Celia too."
"_Rooms_!" thought Hertha. "What does she expect? But she must buy
experience, I suppose." So after detailing to her some more of the
information received from Mr Montague, she let her go, without
volunteering further advice.
And Winifred, feeling that she had taken the first plunge into
independence and "a career," bade her new friend good-bye for the
present, with many times repeated expressions of gratitude.
CHAPTER SEVEN.
AT WHITE TURRETS.
A clear, mild, late-autumn morning in the country--clear, though the
sunshine, what there is of it, is thin and pallid; mild, yet with a
certain slow chill in the air which is not inspiriting; over and through
and behind all, the indescribable autumn feeling, the subdued
consciousness of warmth and brightness passed, as distinct as is age
from youth, from the equally indescribable hopefulness of even the least
genial spring-time.
Yet there is no need to remind any one of the charm of such a day at
such a season. Perhaps there is none, amidst the many fascinations of
our ever-the-same yet ever-varying journey through space, more powerful,
more irresistible, than the fascination of the fall of the year. As a
rule, it is the young who love autumn best: they can afford to enjoy its
subdued vitality as a contrast to their own overflowing life. The old,
or the growing old, on the contrary, forget sometimes their own failing
powers in the delightful exhilaration of reviving nature around them, in
the songs of the birds and the blossoming of the buds, in the new life
which, to many, one would hope, tells of deeper truths than lie on the
surface.
A girl was standing by a window--an open window, so mild was the
morning--overlooking a gravelled terrace walk. She was fairly tall,
brown haired, and gentle eyed. Not as lovely as her sister Celia;
scarcely, perhaps, as handsome, strictly speaking, as Winifred, the
eldest of the three, yet with an undeniable charm of her own--a very
gracious presence. For this was Louise, the second of the Maryon
daughters.
And all about her seemed harmonious. The simple yet stately room, with
the ancient white wainscoting, so rare in an English country-house, the
perfect, though old-fashioned, appointments of the breakfast-table
behind her: above all, perhaps, the scene from the window--the broad
terrace, with the miniature ramparts, and the stiff, quaint, flower-beds
beneath; and the park beyond, fading into dark masses of trees in the
distance.
But Louise Maryon was not looking out; her eyes were fixed on a letter
in her hand. And as the door opened quietly she looked up with
eagerness.
Public-domain text, read in full here on John Shaqi.
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