Music -- Philosophy and aesthetics; Music -- Psychological aspects
(5) Richard Bach Smith is a musical prodigy according to his mother.
At the age of five he plays, sings, composes, and is an
accomplished sight-reader. Is this heredity, environment, or both?
How would you order his musical education?
(6) Miss Jennie Lind Jones has a musical father and an unmusical
mother, lives in a fine musical environment, and has enjoyed
fourteen years of excellent training; but she "has no rhythm," her
piano phrasing is "cold", and her music is a "drudgery." What do
you predict for her? What would you have done for her?
(7) Subject for debate: Given both, resolved, that inherited talent is
a larger factor than musical education and environment in the
development of a great musician.
Chapter VII
THE FUTURE OF MUSICAL INSTRUMENTS
Are we nearing the end of the "horse-and-buggy" stage of musical
instruments? Can the possibilities for revolutionary procedures now
looming up in the construction of musical instruments be as strategic
for music as were the principles embodied in the coming of the
automobile and the airplane for transportation? Those of us who remember
that faithful animal and servant of man, the horse, and the conveyances
he served, look back with fond appreciation upon what amounted to a sort
of fellowship with a fine-performing animal and the luxury of being
conveyed by him in saddle or on wheel. So future generations may look
back upon the past in fond memories of the companionship they have
enjoyed with their favorite instruments, which may be destined to a
niche in the historical museum. But in spite of competition, the horse
has survived, and so probably will the fiddle and some of its companion
instruments.
It is now safe to predict that the future instrument maker will be able
to produce any sound now known in nature or in art that may possibly
have musical significance. We already have at hand the means by which
any such sound can be adequately defined, described, specified,
measured, analyzed, and reconstructed. And there is reason to think that
with the conquest of new and marvelous resources for musical media,
musical composition will move with strides in step with instrument
building.
Public-domain text, read in full here on John Shaqi.
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