He put one leg out of bed. Feeling its feebleness, he reached with his
hand for the additional support of the wall....
* * * * *
But before putting out the other leg he stopped and considered, picking
at his new-found beard. He was suddenly wondering whether he _dared_ go
into the kitchen. It was such a frightfully long way; no man knew what
horror might not leap and huddle on his shoulders if he went so far;
when a man has an overmastering impulse to get back into bed he ought to
take heed of the warning and obey it. Besides, why should he go? What
was there to go for? If it was that Bengough creature again, let her look
after herself; Oleron was not going to have things cramp themselves on
his defenceless back for the sake of such a spoilsport as _she_!... If
she was in, let her let herself out again, and the sooner the better for
her! Oleron simply couldn't be bothered. He had his work to do. On the
morrow, he must set about the writing of a novel with a heroine so
winsome, capricious, adorable, jealous, wicked, beautiful, inflaming, and
altogether evil, that men should stand amazed. She was coming over him
now; he knew by the alteration of the very air of the room when she was
near him; and that soft thrill of bliss that had begun to stir in him
never came unless she was beckoning, beckoning....
He let go the wall and fell back into bed again as--oh, unthinkable!--the
other half of that kiss that a gnash had interrupted was placed (how else
convey it?) on his lips, robbing him of very breath....
XII
In the bright June sunlight a crowd filled the square, and looked up at
the windows of the old house with the antique insurance marks in its
walls of red brick and the agents' notice-boards hanging like wooden
choppers over the paling. Two constables stood at the broken gate of the
narrow entrance-alley, keeping folk back. The women kept to the outskirts
of the throng, moving now and then as if to see the drawn red blinds of
the old house from a new angle, and talking in whispers. The children
were in the houses, behind closed doors.
A long-nosed man had a little group about him, and he was telling some
story over and over again; and another man, little and fat and wide-eyed,
sought to capture the long-nosed man's audience with some relation in
which a key figured.
"... and it was revealed to me that there'd been something that very
afternoon," the long-nosed man was saying. "I was standing there, where
Constable Saunders is--or rather, I was passing about my business, when
they came out. There was no deceiving me, oh, no deceiving _me! I_ saw
her face...."
"What was it like, Mr. Barrett?" a man asked.
Public-domain text, read in full here on John Shaqi.
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