"So she is of mine; and I love her the more for the womanly outburst of
honest truth that triumphed over all conventionality. Norman, what she,
the 'loveliest maiden in Plymouth,' the beloved of Miles Standish, said
to John Alden, I say to you--'Why don't you speak for yourself?'"
There was infinite tenderness in his face as he bent over her--infinite
pain in his voice as he spoke to her.
"John Alden loved Priscilla," he said, slowly--"she was the one woman in
all the world for him--his ideal--his fate, but I--oh Philippa, how I
hate myself because I cannot answer you differently! You are my friend,
my sister, but not the woman I must love as my wife."
"When you urged me a few minutes since to marry your friend, you asked
me why I could not love him, seeing that he had all lovable qualities.
Norman, why can you not love me?"
"I can answer you only in the same words--I do not know. I love you with
as true an affection as ever man gave to woman; but I have not for you a
lover's love. I cannot tell why, for you are one of the fairest of fair
women."
"Fair, but not your 'ideal woman,'" she said, gently.
"No, not my 'ideal woman,'" he returned; "my sister, my friend--not my
love."
"I am to blame," she said, proudly; "but again I must plead that I am
like Priscilla. While you are pleading the cause of another, the truth
came uppermost; you must forgive me for speaking so forcibly. As the
poem says:
"'There are moments in life when the heart is so full of emotions
That if, by chance, it be shaken, or into its depths, like a pebble,
Drops some careless word, it overflows, and its secret,
Spilt on the ground like water, can never be gathered together.'"
"My dearest Philippa, you have not been to blame," he said; "you judge
yourself so hardly always."
"It is the fate of a woman to be silent," she said again. "Still, I am
glad that I have spoken. Norman, will you tell me what your ideal of
woman is like, that I may know her when I see her?"
"Nay," he objected, gently, "let us talk of something else."
But she persisted.
"Tell me," she urged, "that I may know in what she differs from me."
"I do not know that I can tell you," he replied. "I have not thought
much of the matter."
"But if any one asked you to describe your ideal of what a woman should
be, you could do it," she pursued.
"Perhaps so, but at best it would be but an imperfect sketch. She must
be young, fair, gentle, pure, tender of heart, noble in soul, with a
kind of shy, sweet grace; frank, yet not outspoken; free from all
affectation, yet with nothing unwomanly; a mixture of child and woman.
If I love an ideal, it is something like that."
"And she must be fair, like all the ladies Arleigh, with eyes like the
hyacinth, and hair tinged with gold, I suppose, Norman?"
Public-domain text, read in full here on John Shaqi.
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