Intent on the trail, Lucy failed to note time or distance till the
looming and frowning monuments stood aloft before her. What weird
effect they had! Each might have been a colossal statue left there to
mark the work of the ages. Lucy realized that the whole vast valley had
once been solid rock, just like the monuments, and through the millions
of years the softer parts had eroded and weathered and blown away--gone
with the great sea that had once been there. But the beauty, the
solemnity, the majesty of these monuments fascinated her most. She
passed the first one, a huge square butte, and then the second, a
ragged, thin, double shaft, and then went between two much alike,
reaching skyward in the shape of monstrous mittens. She watched and
watched them, sparing a moment now and then to attend to the trail. She
noticed that she was coming into a region of grass, and faint signs of
water in the draws. She was getting high again, not many miles now from
the wall of rock.
All at once Sage King shied, and Lucy looked down to see a man lying on
the ground. He lay inert. But his eyes were open--dark, staring eyes.
They moved. And he called. But Lucy could not understand him.
In a flash she leaped off the King. She ran to the prostrate
man--dropped to her knees.
"Oh!" she cried. His face was ghastly. "Oh! are you--you badly hurt?"
"Lift me--my head," he said, faintly.
She raised his head. What a strained, passionate, terrible gaze he bent
upon the horses.
"Boy, they're mine--the black an' the red!" he cried.
"They surely must be," replied Lucy. "Oh! tell me. Are you hurt?"
"Boy! did you catch them--fetch them back--lookin' for me?"
"I sure did."
"You caught-that red devil--an' fetched him--back to me?" went on the
wondering, faint voice. "Boy--oh--boy!"
He lifted a long, ragged arm and pulled Lucy down. The action amazed
her equally as his passion of gratitude. He might have been injured,
but he had an arm of iron. Lucy was powerless. She felt her face
against his--and her breast against his. The pounding of his heart was
like blows. The first instant she wanted to laugh, despite her pity.
Then the powerful arm--the contact affected her as nothing ever before.
Suppose this crippled rider had taken her for a boy--She was not a boy!
She could not help being herself. And no man had ever put a hand on
her. Consciousness of this brought shame and anger. She struggled so
violently that she freed herself. And he lay back.
"See here--that's no way to act--to hug--a person," she cried, with
flaming cheeks.
"Boy, I--"
"I'm NOT a boy. I'm a girl."
"What!"
Lucy tore off her sombrero, which had been pulled far forward, and this
revealed her face fully, and her hair came tumbling down. The rider
gazed, stupefied. Then a faint tinge of red colored his ghastly cheeks.
"A girl! ... Why--why 'scuse me, miss. I--I took you--for a boy."
Public-domain text, read in full here on John Shaqi.
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