I ascended the steps, and stood before the arch--filled with a great
iron-studded oaken gate--which led through a square tower into the
court. I stood gazing for some minutes before I rang the bell. Two
things in particular I noticed. The first was--over the arch of the
doorway, amongst others--one device very like the animal’s head upon
the watch and the seal which my great-grandmother had given me. I could
not be sure it was the same, for the shape--both in the stone and in my
memory--was considerably worn. The other interested me far more. In
the great gate was a small wicket, so small that there was hardly room
for me to pass without stooping. A thick stone threshold lay before it.
The spot where the right foot must fall in stepping out of the wicket
was worn into the shape of a shoe, to the depth of between three and
four inches I should judge, vertically into the stone. The deep
foot-mould conveyed to me a sense of the coming and going of
generations, such as I could not gather from the age-worn walls of the
building.
A great bell-handle at the end of a jointed iron-rod hung down by the
side of the wicket. I rang. An old woman opened the wicket, and allowed
me to enter. I thought I remembered the way to Mrs Wilson’s door well
enough, but when I ascended the few broad steps, curved to the shape of
the corner in which the entrance stood, and found myself in the flagged
court, I was bewildered, and had to follow the retreating portress for
directions. A word set me right, and I was soon in Mrs Wilson’s
presence. She received me kindly, and expressed her satisfaction that I
had kept what she was pleased to consider my engagement.
After some refreshment and a little talk, Mrs Wilson said,
‘Now, Master Cumbermede, would you like to go and see the gardens, or
take a walk in the park and look at the deer?’
‘Please, Mrs Wilson,’ I returned, ‘you promised to show me the house.’
‘You would like that, would you?’
‘Yes,’ I answered,--‘better than anything.’
‘Come, then,’ she said, and took a bunch of keys from the wall. ‘Some
of the rooms I lock up when the family’s away.’
Public-domain text, read in full here on John Shaqi.
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