The dome of St. Paul's is the culmination of the whole interior of the
building. Rising over the central area, it seems to gather up the power
and majesty of the nave, the aisles, the transepts, the choir, and give
them expression and expansion in its lofty firmament.
Then those colossal piers, forty feet broad some of them, and nearly
one hundred feet high,--they easily eclipsed what I had recently seen
in a mine, and which I at the time imagined shamed all the architecture
of the world,--where the mountain was upheld over a vast space by
massive piers left by the miners, with a ceiling unrolled over your
head, and apparently descending upon you, that looked like a petrified
thunder-cloud.
The view from the upper gallery, or top of the dome, looking down
inside, is most impressive. The public are not admitted to this
gallery, for fear, the keeper told me, it would become the scene of
suicides; people unable to withstand the terrible fascination would
leap into the yawning gulf. But, with the privilege usually accorded to
Americans, I stepped down into the narrow circle, and, leaning over the
balustrade, coolly looked the horrible temptation in the face.
On the whole, St. Paul's is so vast and imposing that one wonders what
occasion or what ceremony can rise to the importance of not being
utterly dwarfed within its walls. The annual gathering of the charity
children, ten or twelve thousand in number, must make a ripple or two
upon its solitude, or an exhibition like the thanksgiving of the Queen,
when sixteen or eighteen thousand persons were assembled beneath its
roof. But one cannot forget that it is, for the most part, a great
toy,--a mammoth shell, whose bigness bears no proportion to the living
(if, indeed, it is living), indwelling necessity. It is a tenement so
large that the tenant looks cold and forlorn, and in danger of being
lost within it.
No such objection can be made to Westminster Abbey, which is a mellow,
picturesque old place, the interior arrangement and architecture of
which affects one like some ancient, dilapidated forest. Even the
sunlight streaming through the dim windows, and falling athwart the
misty air, was like the sunlight of a long-gone age. The very
atmosphere was pensive, and filled the tall spaces like a memory and a
dream. I sat down and listened to the choral service and to the organ,
which blended perfectly with the spirit and sentiment of the place.
ON THE SOUTH DOWNS
Public-domain text, read in full here on John Shaqi.
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