We may often find ourselves envying the possessions of others, and sometimes inadvertently indulging a wish to change places with them altogether; but our self-love soon discovers some excuse to be off the bargain we were ready to strike, and retracts 'vows made in haste, as violent and void.' We might make up our minds to the alteration in every other particular; but, when it comes to the point, there is sure to be some trait or feature of character in the object of our admiration to which we cannot reconcile ourselves--some favourite quality or darling foible of our own, with which we can by no means resolve to part. The more enviable the situation of another, the more entirely to our taste, the more reluctant we are to leave any part of ourselves behind that would be so fully capable of appreciating all the exquisiteness of its new situation, or not to enter into the possession of such an imaginary reversion of good fortune with all our previous inclinations and sentiments. The outward circumstances were fine: they only wanted a _soul_ to enjoy them, and that soul is ours (as the costly ring wants the peerless jewel to perfect and set it off). The humble prayer and petition to sneak into visionary felicity by personal adoption, or the surrender of our own personal pretentions, always ends in a daring project of usurpation, and a determination to expel the actual proprietor, and supply his place so much more worthily with our own identity--not bating a single jot of it. Thus, in passing through a fine collection of pictures, who has not envied the privilege of visiting it every day, and wished to be the owner? But the rising sigh is soon checked, and 'the native hue of emulation is sicklied o'er with the pale cast of thought,' when we come to ask ourselves, not merely whether the owner has any taste at all for these splendid works, and does not look upon them as so much expensive furniture, like his chairs and tables--but whether he has the same precise (and only true) taste that we have--whether he has the very same favourites that we have--whether he may not be so blind as to prefer a Vandyke to a Titian, a Ruysdael to a Claude; nay, whether he may not have other pursuits and avocations that draw off his attention from the sole objects of our idolatry, and which seem to us mere impertinences and waste of time? In that case, we at once lose all patience, and exclaim indignantly, 'Give us back our taste, and keep your pictures!' It is not we who should envy them the possession of the treasure, but they who should envy us the true and exclusive enjoyment of it. A similar train of feeling seems to have dictated Warton's spirited _Sonnet on visiting Wilton House_: