Wise Saws and Modern Instances, Volume 1 (of 2)Cooper, Thomas
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Wise Saws and Modern Instances, Volume 1 (of 2)
Cooper, Thomas
English fiction -- 19th century; Short stories, English
MASTER ZERUBBABEL,
THE ANTIQUARY;
AND
HOW HE FOUND OUT THE "NOOSE LARNING."
Antiquaries are scarce now-a-days. Don't mistake me, reader; I know
that there is an abundance of writers on things which are ancient—ay,
and more, that certain pragmatical folk pretend now to know more
exactly how every thing went on two thousand years ago, nay four
thousand years ago, than was known a few generations since by the
first scholars in Europe. But don't say I question the likelihood of
people knowing more about the ancients the farther time removes us
from them,—because that would be literary heresy, and would bring
upon an unlucky wight the hot persecution of the orthodox. But—I
repeat it—Antiquaries are scarce now-a-days. I mean, your real
thorough-bred ones, if I may say so—the fine old fellows who forgot
their breakfasts and dinners, walked out in their night-caps, went
to bed in their inexpressibles,—in brief, did all manner of queer
absent things by reason that they were ever present, in mind, with the
long bearded Druids, or the starched Romans, or the waggish Athenians,
or the broth-supping Spartans, or some other of the peoples who have
been dead and buried hundreds and hundreds of years ago. Talk of
antiquaries!—where are your lean, skeleton, paragons of patience now,
who can dwell seven years, with ecstasy, on the contemplation of a nail
proven to have been attached to a horse-shoe of ten centuries old,—or
who will write you, fasting, twenty folio sheets on the discovery of an
urn of Roman coins, or the opening of a British tumulus? The race is
now extinct: it has been driven out of existence by the newer and more
civilised race of the gentlemen antiquaries,—just as the aborigines of
New Holland and North America are following where the Peruvians have
already gone, into the realm of nought, before the European grasp-alls.
Public-domain text, read in full here on John Shaqi.
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