Wise Saws and Modern Instances, Volume 1 (of 2)Cooper, Thomas
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Wise Saws and Modern Instances, Volume 1 (of 2)
Cooper, Thomas
English fiction -- 19th century; Short stories, English
Pardon, reader, this most unseemly wandering from the illustrious
subject of our present biography, the erudite Zerubbabel Dickinson.
Now it was in the contemplation of this unique monument of baronial
greatness,—it was in the collection and collocation of manuscripts
relative to the identity of the several shoes,—it was in the array of
the pedigrees of those in whose names they were put up,—it was in
brushing away the rust (not from the shoes, for the discerning Dickinson
would have adjudged him a pagan, of a verity, and no Christian, who
dared to disturb a grain of it!)—the rust of uncertainty that hung
about the names and memories of those to whom the more ancient furniture
of horses' feet belonged,—it was in this mine profound of all that was
important, and noble, and useful, and great, and grand, about the
countless catalogue of horse-shoes that were nailed to the walls of the
great hall in the castle of Oakham, that the learned and laborious
Zerubbabel dug and delved,—it was on these themes, I say (and I
scarcely know how to express myself worthily on so magnitudinous a
matter), that the indefatigable and magnanimous schoolmaster-antiquary
expended the choicest energies of his untiring intellect.
This, courteous reader, was the prime labour—the _opus majus_ of
Master Zerubbabel Dickinson. The work was to have been entituled
"_Tallagium illustrissimum; seu Catalogus solearum ferrearum_"—with I
know not how many more _ums_ and _arums_, besides. _Was_ to have been?
Yes; for let it not be supposed that so stupendous a work was ever
finished. It was the opinion of the laborious Zerubbabel himself that
it never could be finished, so transcendent was the _beau-idéal_ of
such a work that he had conceived.
But enough of a subject which, in this degenerate age, will never
be placed at its right value. This slender fragment of a biographic
memorial was not commenced so much with the view of showing how truly
great a man was the erudite Master Zerubbabel,—since we would despair
as deeply of doing justice to so immense a subject as Zerubbabel
himself despaired of completing the leviathan folios of the mighty
"Tallagium illustrissimum:" we have a more philosophic purpose in
view—namely, the proof, by history, of the striking moral truism, that
the greatest men are very little men when you take them out of their
accustomed sphere: in other words, that the wisest men are fools when
you talk to them about things with which, in spite of their wisdom,
they are not conversant. But why prove a truism? Ah, my friend, these
same truisms, as the world calls them, for the greater part, are just
the very things that want proving——.
Public-domain text, read in full here on John Shaqi.
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