It is not often that the senorita of the southwest can lay claim to
any more of beauty than glows in midnight hair and eyes. But Amada
Garcia was one of the favored few. Her short, plump figure was rounded
into dainty curves and her oval face, with its smooth, brown skin, its
dimples, its regular features, its little, rosebud, pouting mouth, and
its soft, black, heavy-lidded eyes, was alluring with sensuous beauty.
A red handkerchief tied into a saucy cap was perched on her shining,
black hair, and her black dress, carelessly open a little at the neck,
showed a full, soft, brown throat.
She received the three men with that dignified courtesy that is never
forgotten in the humblest Mexican adobe hut, but she tempered its
gravity with many coquettish glances of her great black eyes. They
talked in Spanish, the only language Amada knew, which the men spoke
as readily as they did their own. No, her father was not at home, she
said. He had gone to Muletown and would not be back until night. But
was it the wish of the senores to be seated and rest themselves from
their travel and refresh themselves with a drink of cool water? Mead
presented Tuttle, who had never seen the girl before, and Amada said,
with many flashes of languorous light from under her heavy lids, ah,
she had heard of the senor, a most brave _caballero_, a man whom all
women must admire, so brave and skillful. Her carriage and the poise
of her body as she stood, or sat down, or walked about the room, would
have befitted a queen's approach to her throne, so unconsciously regal
and graceful were they. For ever since she was old enough Amada had
carried every day to the house, up the hill from the spring, in an
_olla_ poised on her head, all the water for their domestic
necessities. And in consequence she walked with a grace and carried
her head with an air that not one American woman in a hundred thousand
could equal.
She brought them water from an _olla_ which stood in the _portal_,
where it would be free to the breeze and shaded from the sun, and as
she handed it to one after another she smiled and dimpled, her white
teeth gleamed, her black eyes shone alluringly in sudden flashes from
under their long-fringed covers, and her sweet, soft voice prattled
airy, beguiling flatteries and dear little complimentary nothings. As
she talked, she tossed her head and swayed her body and made graceful,
eloquent little gestures with her hands and arms. There was
unconscious coquetry in every movement and a mischievous "you dare
not" in every glance of her eyes and in every dimpling smile. She was
like a plump, saucy, sweet-throated bobolink, perched on a swaying
bough and singing a joyous and daring "catch me if you can."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account