New ladies were arriving at the Palace every day for a week before the Birthday--members of the Imperial Family from a distance, and the wives and daughters of Manchu nobles who were of sufficient rank to present their congratulations in person. The young Empress never failed to introduce me to these ladies. A foreigner in the Chinese Court is a much more extraordinary circumstance than a Chinese at a European Court would be, and this was, in most instances, the first meeting of these Princesses with any foreigner; but they were uniformly courteous and even cordial, never evincing the slightest curiosity as to my dress or my habits. I doubted whether a Chinese at a European Court, or at our White House, would have been treated with the same consideration by all, even to the servants. The children, of whom there were several at Court at this time, were as well-bred as their elders in their treatment of the “foreign lady.” After our first lunch in the court of the Theater, when the theatrical performance of the day was finished and the actors had left, I approached the stage of the Theater and began examining, with interest, its construction and appointments. The Palace Theater is raised about twelve feet from the ground, and its main floor is on a level with the Imperial loge. The building consists of three stories and a cellar. The latter is used for the few pieces of scenery of the scenic plays, and is where the simple devices used for moving it are manipulated. Like the Greek theater, the stage is open on three sides; and the actors come out and speak their parts, their entrance being to the left and the exit to the right of the stage. Her Majesty was within her loge while I was examining the construction of the Theater; but she evidently noticed my movements, for the eunuchs soon threw open the great plate doors and she descended the steps of the Imperial loge and came across the court to where I was standing. She asked me if I would not like to go on the stage and look over the building and examine things thoroughly. She added, “You probably may never have such a chance to see a good Chinese theater again.” She, herself, went up the steps leading from the court to the stage, and told me to follow her. The stage is about twenty-five feet square, is roofed over, and projects into the court, its three sides being open. The fourth side has doors and curtains for the entrance and exit of the actors. There are no actresses in China. The men perform the parts of women, and represent them with such success that I was much surprised when I learned there were no actresses. At the back of the stage sit the musicians, who accompany all the theatrical performances in China.