Her Majesty, herself, led the way across the stage and we went behind the scenes. Here, I examined closely a number of “Floats” that were to be used, in the procession in honor of the Emperor, on the day of the Birthday. These floats had all been designed by the Empress Dowager. After we had looked at these, she suggested that I had better see the upper floors. These latter are not in general use in Chinese theaters. The theaters, even at the other Palaces, have but one stage. The steps which lead to the second stage, and thence to the third stage, are behind the scenes. The two upper stages are used for spectacular plays and tableaux, when certain of the players group themselves in pyramidal form on these superposed stages and speak their lines therefrom. The upper stages have also trap-doors and pulleys for use in the spectacular plays. Her Majesty went up, herself, to show me these stages. She mounted the steep and difficult steps with as much ease and lightness as I did, and I had on comfortable European shoes, while she wears the six-inch-high Manchu sole in the middle of her foot, and must really walk as if on stilts. Neither the Empress Dowager nor any of the Manchu ladies bind their feet; that custom prevailed in China before the Manchu conquest. The Manchus have adopted many of the manners and customs of the Chinese, but the Manchu women have retained their own individuality; and to-day, after more than two hundred and fifty years in China, they still wear their native costume, entirely different from the Chinese women. They still dress their hair in the picturesque Manchu fashion. They not only have never bound their feet, but they have as great a horror of it as Europeans have. Manchu ladies are not bound by the same rigid social conventions as are the Chinese women. They are less circumscribed and have more individual freedom than any other Oriental women. In fact, the Manchu woman seems to be, to other Oriental women, what the modern American woman is to her European sisters. CHAPTER VIII HIS MAJESTY THE EMPEROR KWANG-HSU