Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
She thrust it behind her back; I put my arms round her neck, raising the
plaits of hair which she wore over her shoulders, either because she was
still of an age for that or because her mother chose to make her look a
child for a little longer so that she herself might still seem young;
and we wrestled, locked together. I tried to pull her towards me, she
resisted; her cheeks, inflamed by the effort, were as red and round as
two cherries; she laughed as though I were tickling her; I held her
gripped between my legs like a young tree which I was trying to climb;
and, in the middle of my gymnastics, when I was already out of breath
with the muscular exercise and the heat of the game, I felt, as it were
a few drops of sweat wrung from me by the effort, my pleasure express
itself in a form which I could not even pause for a moment to analyse;
immediately I snatched the letter from her. Whereupon Gilberte said,
good-naturedly:
"You know, if you like, we might go on wrestling for a little."
Perhaps she was dimly conscious that my game had had another object than
that which I had avowed, but too dimly to have been able to see that I
had attained it. And I, who was afraid that she had seen (and a slight
recoil, as though of offended modesty which she made and checked a
moment later made me think that my fear had not been unfounded), agreed
to go on wrestling, lest she should suppose that I had indeed no other
object than that, after which I wished only to sit quietly by her side.
On my way home I perceived, I suddenly recollected the impression,
concealed from me until then, towards which, without letting me
distinguish or recognise it, the cold, almost sooty smell of the
trellised pavilion had borne me. It was that of my uncle Adolphe's
little sitting-room at Combray, which had indeed exhaled the same odour
of humidity. But I could not understand, and I postponed the attempt to
discover why the recollection of so trivial an impression had given me
so keen a happiness. It struck me, however, that I did indeed deserve
the contempt of M. de Norpois; I had preferred, hitherto, to all other
writers, one whom he styled a mere "flute-player" and a positive rapture
had been conveyed to me, not by any important idea, but by a mouldy
smell.
Public-domain text, read in full here on John Shaqi.
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