Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
Swann, had taken great care to avoid speaking to
her about me, Cottard, who was her doctor also, having gathered from
what he had heard Bloch say that she knew me quite well and thought
highly of me, concluded that to remark, when next he saw her, that I was
a charming young fellow and a great friend of his could not be of the
smallest use to me and would be of advantage to himself, two reasons
which made him decide to speak of me to Odette whenever an opportunity
arose.
Thus at length I found my way into that abode from which was wafted even
on to the staircase the scent that Mme. Swann used, though it was
embalmed far more sweetly still by the peculiar, disturbing charm that
emanated from the life of Gilberte. The implacable porter, transformed
into a benevolent Eumenid, adopted the custom, when I asked him if I
might go upstairs, of indicating to me, by raising his cap with a
propitious hand, that he gave ear to my prayer. Those windows which,
seen from outside, used to interpose between me and the treasures
within, which were not intended for me, a polished, distant and
superficial stare, which seemed to me the very stare of the Swanns
themselves, it fell to my lot, when in the warm weather I had spent a
whole afternoon with Gilberte in her room, to open them myself, so as to
let in a little air, and even to lean over the sill of one of them by
her side, if it was her mothers "at home" day, to watch the visitors
arrive who would often, raising their heads as they stepped out of their
carriages, greet me with a wave of the hand, taking me for some nephew
of their hostess. At such moments Gilberte's plaits used to brush my
cheek. They seemed to me, in the fineness of their grain, at once
natural and supernatural, and in the strength of their constructed
tracery, a matchless work of art, in the composition of which had been
used the very grass of Paradise. To a section of them, even infinitely
minute, what celestial herbary would I not have given as a reliquary.
But since I never hoped to obtain an actual fragment of those plaits, if
at least I had been able to have their photograph, how far more precious
than one of a sheet of flowers traced by Vinci's pencil! To acquire one
of these, I stooped--with friends of the Swanns, and even with
photographers--to servilities which did not procure for me what I
wanted, but tied me for life to a number of extremely tiresome people.
Public-domain text, read in full here on John Shaqi.
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