Families -- Fiction; Man-woman relationships -- Fiction; New York (N.Y.) -- History -- 19th century -- Fiction
But Dr. Chirnside was putting up his pencil and putting forth his lean,
cold hand for a farewell clasp. The stage was nearing City Hall Park
and he must get out his fare and get down at his parsonage.
And a little further below was the Astor House, which RoBards must call
home henceforth.
Dr. Chirnside had referred for his “thirteenthly” to the barbaric
luxury of the new hotel, and to the evil influence of such hostelries
on home-life. It had a bathtub on every floor! What Oriental luxury
would come next? In many of the more religious states bathing was
a misdemeanor, but in New York every crime flourished—and every
slothfulness. The modern woman, unlike her mother, was too shiftless
to care for her own household or even to oversee her servants: she
preferred to live in a hotel and have more time and convenience for her
idle mischiefs.
But RoBards mused dismally that his home had gone to wrack and ruin
first, and that the hotel was his only refuge.
CHAPTER XV
The sumptuousness of the Astor House only emphasized RoBards’ exile.
From his window he would look down upon the seething throngs along
Broadway, the tall beavers of the men and the poke bonnets of the women
bobbing along as on a stream.
He would seek escape from solitude overlooking the multitude by
retreating to the inner court and the fountain flaunting its
crystal plumes in the turfed garden. But there was that quadrangle
of many-windowed walls about him, and he felt Argus eyes upon him
everywhere. Behind every curtain somebody seemed to be watching him.
The expense of the luxurious hotel was heavy—a dollar a day it cost
him, but he could not face boarding-house inquisitiveness.
In his office he would sit and brood across his pine table with its
green baize cover, and stare at the pine boxes that held his books and
the files of his cases tied with red tape. He would dip his quill into
the inkstand of gray stone and make careless scratches on the paper
before him. When he looked at them afterward they made him wonder if
he were going mad. These crazy designs would serve as evidence for his
commitment to any asylum.
On the margins of his briefs he would wake to find that he had been
making crude contours of Patty’s scoop hat, her big eyes, or the nape
of her neck. He would blot her out in a fury of rage, and attack his
work.
The case of Jessamine vs. the City of New York was still hanging fire.
Many of the claims of people who were forced to sell their lands for
the aqueduct were still unsettled though their farms were covered with
stone and trenched with ditches.
Yet now RoBards felt that the city had its justice. He had fought for
the country and the country had betrayed him. Vile wickedness had found
shelter and prosperity in the gentlest seclusions.
Public-domain text, read in full here on John Shaqi.
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