Now that the world is so full of free dinners for the well-fed, it
behoves hostesses to reconsider their methods. With so many dinner-tables
open to the lion, or even to the cub, they must do their spiriting
dexterously if they would feed him. In these days when seven hostesses
pluck hold of the swallow-tails of one man, and the form of grace before
meals must be, "For those we are about to receive, Lord make us truly
thankful," something more than the average attraction is needed to induce
the noble animal to dine at your expense. There is one improvement in the
great dinner function for which I would respectfully solicit the
attention of ladies who entertain but do not amuse. "It is a great point
in a gallery how you hang your pictures," says the sage of Concord, "and
not less in society how you seat your party. When a man meets his
accurate mate, Society begins and life is delicious." Yes, but how rarely
does a man meet his accurate mate in these minor marriages of the
dinner-table! How often is he chained for hours to an unsympathetic soul
he has not even made the mistake of selecting. The terrible length of the
modern dinner makes the grievance very real, and in a society already
vibrant with the demand for easier divorce it is curious that there has
arisen no Sarah Grand of the dining-room to protest against this diurnal
evil. Suppose that at a dance you were told off to one perpetual partner,
who would ever don pumps? Is it not obvious that at a dinner you should
have the same privilege as at a dance--the privilege of choosing your
partner for each course? It could be done during the drawing-room wait. I
give an example of an ordinary menu, marked after the fashion of a
gentleman's dance programme, from which it will the seen at a glance how
much more delightful a dinner would become if you could change your
partner as often as your plate.
MENU, JUNE 15th, 1894.
Plats. Engagements.
1. Hors d'oeuvres . . . . S. S.
2. Soup . . . . . . . . . A. P. S.
3. Poisson . . . . . . . Pinky.
4. Poisson . . . . . . . L. R.
5. Entrée . . . . . . . . Blue Bow.
6. Entrée . . . . . . . . Red Hair.
7. Joint . . . . . . . . W.
8. Sweet . . . . . . . . Minnie.
9. Sweet . . . . . . . . Minnie.
10. Cheese . . . . . . . Long Arms.
11. Dessert . . . . . . . I. V.
(Interval before ladies rise.)
Extra Entrée . . . . . . Agnes.
Extra Joint . . . . . . . Eyeglasses.
Extra Sweet . . . . . . . Minnie.
Public-domain text, read in full here on John Shaqi.
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