"The window," she whispered. "We'd better--see what's outside. Just the
thought of looking terrifies me, but we may as well get it over with."
Loring nodded. "If we had any real sense we'd have looked out
immediately," he said. "We'd have let nothing stand in the way."
"David! What kind of talk is that? Think of what you would have missed.
A completely undraped female, distinctly on the shameless side."
The taunting levity was back in her eyes again, as if she dreaded the
thought of walking to the window even now and wished to put it off as
long as possible with a whistling-in-the-dark bravado.
"You're right," Loring said. "Forgive me, darling. I spoke without
thinking and I didn't mean it in quite that way. I'm glad we waited. It
isn't just what I saw. It's what I--"
"David, please don't make me blush now. Shut up, damn you."
"All right, Gorgeous. I won't say another word."
They walked to the window together. Janice cried out, and Loring drew
in his breath sharply. A tiny vein at his temple bulged and began to
pulsate.
The city which stretched out for miles beyond the pane transcended
in height and depth and grandeur anything Man's creative genius had
conceived on Earth, or was perhaps capable of conceiving, even in the
realm of imaginative prophecy. Human history supplied no parallels
which would have brought such a soaring architectural miracle within
the scope of pictorial art at its most prophetic.
William Blake alone might have been capable of portraying it on canvas,
if he had been born at a later period in human history and had been
familiar with space-age technology and the intricacies of the twentieth
century's non-Euclidean mathematics. But even then his vision might
have faltered and his palette, lacking the full range of colors,
dropped from his hand.
The Martian city was so large it would have completely dwarfed the
largest city on Earth. If New York, London and Paris could have been
combined in one great wonder city there might have been a few points of
superficial resemblance to the metropolis of white buildings beyond the
pane. But a few points only, for in a sober and completely realistic
sense all comparisons broke down.
It was a city of spiderweb traceries against a sunrise sky,
of buildings so enormous that their pinnacles seemed to blend
with the clouds. It was a city of floating gardens agleam with
vermillion-tongued flowers that seemed to sway and dance in response to
some gigantic and invisible baton, so that they resembled myriads of
tiny ballet dancers constantly in motion, voluptuously a-twirl, bending
first to the left and then to the right and then swooningly backwards.
It was a city of parks and lakes with tree-fringed borders and of
column-supported terraces bridged by aerial traffic lanes, where
vehicles that resembled gold beetles darted back and forth with a speed
so great that the eye could scarcely follow them.
Public-domain text, read in full here on John Shaqi.
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