Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary SourcesStowe, Harriet Beecher
Religion
Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary Sources
Stowe, Harriet Beecher
Bible -- Biography; Women in the Bible -- Biography
"The mother of Sisera looked out at a window.
She cried through the lattice,
Why delay the wheels of his chariot?
Why tarries the rattle of his horse-hoofs?
Her wise ladies answered: yea, she spake herself.
Have they not won? Have they not divided the prey?
To every man a virgin or two;
To Sisera a prey of divers colors, of divers colors and gold
embroidery,
Meet for the necks of them that take the spoil."
In the reckoning of this haughty princess, a noble Judæan lady,
with her gold embroideries and raiment of needle-work, is only an
ornament meet for the neck of the conqueror,--a toy, to be paraded
in triumph. The song now rises with one grand, solemn swell, like
the roll of waves on the sea-shore:--
"So let all thine enemies perish, O Jehovah!
But let them that love thee shine forth as the sun in his strength."
And as this song dies away, so passes all mention of Deborah. No
other fragment of poetry or song from her has come down from her
age to us. This one song, like a rare fragment of some deep-sea
flower, broken off by a storm of waters, has floated up to tell
of her. We shall see, as we follow down the line of history, that
women of this lofty poetic inspiration were the natural product of
the Jewish laws and institutions. They grew out of them, as certain
flowers grow out of certain soils. To this class belonged Hannah,
the mother of Samuel, and Huldah, the prophetess, and, in the
fullness of time, Mary, the mother of Jesus, whose _Magnificat_ was
the earliest flower of the Christian era. Mary was prophetess and
poet, the last and greatest of a long and noble line of women, in
whom the finer feminine nature had been kindled into a divine medium
of inspiration, and burst forth in poetry and song as in a natural
language.
[Illustration: DELILAH THE DESTROYER]
DELILAH THE DESTROYER.
The pictures of womanhood in the Bible are not confined to subjects
of the better class.
There is always a shadow to light; and shadows are deep, intense,
in proportion as light is vivid. There is in bad women a terrible
energy of evil which lies over against the angelic and prophetic
power given to them, as Hell against Heaven.
In the long struggles of the Divine Lawgiver with the idolatrous
tendencies of man, the evil as well as the good influence of
woman is recognized. There are a few representations of loathsome
vice and impurity left in the sacred records, to show how utterly
and hopelessly corrupt the nations had become whom the Jews were
commanded to exterminate. Incurable licentiousness and unnatural
vice had destroyed the family state, transformed religious services
into orgies of lust, and made woman a corrupter, instead of a
saviour. The idolatrous temples and groves and high places against
which the prophets continually thunder were scenes of abominable
vice and demoralization.
Public-domain text, read in full here on John Shaqi.
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