Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
"Hannah More wore a dress of very light green silk--a white China crape
shawl was folded over her shoulders; her white hair was frizzled, after
a by-gone fashion, above her brow, and that _backed_, as it were, by a
very full double border of rich lace. The reality was as dissimilar from
the picture painted by our imagination as anything could well be; such a
sparkling, light, bright, 'summery'-looking old lady--more like a
beneficent fairy, than the biting author of _Mr. Fantom_, though in
perfect harmony with _The Shepherd of Salisbury Plain_."
CHAPTER V
Charlotte Smith. Mrs. Inchbald
While Hannah More was endeavouring to improve the condition of the poor
by teaching them diligence and sobriety, a group of earnest men and
women were writing books and pamphlets in which they claimed that
poverty and ignorance were due to unjust laws. The writings of Voltaire
and Rousseau had filled their minds with bright pictures of a democracy.
These theories were considered most dangerous in England, but they were
the theories which helped to shape the American constitution. Among
these English revolutionists were William Godwin, Mary Wollstonecraft,
Charlotte Smith, Mrs. Inchbald, and for a time Amelia Opie.
The strongest political novel was _Caleb Williams_ by William Godwin. In
this he shows how through law man may become the destroyer of man. This
interest in the rights of man awakened interest in the condition of
women; and Mary Wollstonecraft, who afterward became Mrs. Godwin, wrote
_Vindication of the Rights of Woman_. This pamphlet was declared
contrary to the Bible and to Christian law, although all its demands
have now been conceded. Charlotte Smith was also interested in the
position of women and the laws affecting them. In _Desmond_ she
discussed freely a marriage problem which in her day seemed very bold,
while in her private life she ignored British prejudices.
She was the mother of twelve children and the wife of a man of many
schemes, so that she was continually devising ways to extricate her
large family from the financial difficulties into which he plunged them.
At one time a friend suggested to her that her husband's attention
should be turned toward religion. Her reply was: "Oh, for heaven's sake,
do not put it into his head to take to religion, for if he does, he will
instantly begin by building a cathedral." She is supposed to have
caricatured him in the projector who hoped to make a fortune by manuring
his estate with old wigs. But when her husband was imprisoned for debt,
she shared his captivity, and began to write to support her family.
Although she died at the age of fifty-seven, she found time during her
manifold cares to write thirty-eight volumes.
Public-domain text, read in full here on John Shaqi.
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