At last he obtained the post of private teacher in the family of Count
Esterhazy. It was the Countess Caroline, younger of the two daughters,
who was to become the object of Schubert's later adoration. On the first
visit, however, she was only nine, and we find Schubert, with his usual
promiscuous taste, more at home with the servants than in the
drawing-room. "The cook is a pleasant fellow," he writes; "the ladies'
maid is thirty; the housemaid very pretty, and often pays me a visit;
the nurse is somewhat ancient; the butler is my rival; the two grooms
get on better with the horses than with us. The count is a little
rough; the countess proud, but not without heart, and the two young
ladies good children."
Eight years later he spent another period of six months at the chateau,
and at this time felt the passion for the young countess that has been
so often alluded to in his biographies. According to Bauernfeld, she
inspired an ideal devotion that sustained and comforted him to the end
of his life. There can be no doubt that etiquette and their difference
in position prevented much intercourse between the two, but his devotion
was apparently as lasting as it was unselfish. According to Kreissle, it
found expression once, on her asking him, in jesting reproach, why he
never dedicated anything to her. "Why should I," came the reply;
"everything I ever did is dedicated to you." One of his posthumous works
bears her name, which would hardly have been printed unless found on the
manuscript in the handwriting of this greatest of tone-poets.
Mendelssohn came of a family that boasted an eminent intellectual leader
of Judaism in the shape of Moses Mendelssohn, the composer's
grandfather. Abraham, the father, brought up his two children, Fanny and
Felix, in the Lutheran faith. Between the brother and sister there
existed the most intimate understanding and affection, lasting through
their entire lives. Both were musically gifted, possessing delicate
hands and taper fingers that were often spoken of as if made expressly
for playing Bach fugues.
Public-domain text, read in full here on John Shaqi.
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