One of the numerous ephemeral journals which the young and old jeunesse of the Latin Quarter is constantly creating has made a very clever caricature of the picture in a sort of Pompeian style. Death is represented by the grinning figure of Coquelin ainé. The legend is "'La Jeune Fille et la Mort,' or Coquelin ainé, presenting Sarah Bernhardt the bill of costs of her fugue." In other words, Coquelin is Death, handing to Sarah the undertaker's bill--300,000 francs--for her civil burial at the Comédie Française. <b>BETHUNE, LOUISE.</b> This architect, whose maiden name was Blanchard, was born in Waterloo, New York, 1856. She studied drawing and architecture, and in 1881 opened an office, being the first woman architect in the United States. Since her marriage to Robert A. Bethune they have practised their art together. Mrs. Bethune is the only woman holding a fellowship in the American Institute of Architects. [_No reply to circular_.] <b>BEVERIDGE, KÜHNE.</b> Honorable mention in Paris twice. Born in Springfield, Illinois. Studied under William R. O'Donovan in New York, and under Rodin in Paris. Among her works are a statue called "Rhodesia," "Rough Rider Monument," a statue called "Lascire," which belongs to Dr. Jameson, busts of Cecil Rhodes, King Edward VII., Grover Cleveland, Vice-President Stevenson, Joseph Jefferson, Buffalo Bill, General Mahon, hero of Mafeking, Thomas L. Johnson, and many others. Miss Beveridge was first noticed as an artist in this country in 1892, when her busts of ex-President Cleveland and Mr. Jefferson called favorable attention to her. In 1899 she married Charles Coghlan, and soon discovered that he had a living wife at the time of her marriage and obtained a divorce. Before she went to South Africa Miss Beveridge had executed several commissions for Cecil Rhodes and others living in that country. Her mother is now the Countess von Wrede, her home being in Europe, where her daughter has spent much time. She has married the second time, an American, Mr. Branson, who resides at Johannesburg, in the Transvaal. <b>BIFFIN, SARAH.</b> 1784-1850. It seems a curious fact that several persons born without arms and hands have become reputable artists. This miniature painter was one of these. Her first teacher, a man named Dukes, persuaded her to bind herself to live in his house and give her time to his service for some years. Later, when the Earl of Morton made her acquaintance, he proved to her that her engagement was not legally binding and wished her to give it up; but Miss Biffin was well treated by the Dukes and preferred to remain with them. The Earl of Morton, however, caused her to study under Mr. Craig, and she attained wonderful excellence in her miniatures. In 1821 the Duke of Sussex, on behalf of the Society of Arts, presented her with a prize medal for one of her pictures.