Women -- Religious aspects -- Christianity; Women in the Bible
What part Miriam took in the care of her illustrious brother while in
the arms of his mother-nurse, we are not told, but we may well believe
her sisterly love was strong and unwavering during the years while the
precious charge was in the care of the mother.
But there was a long period of eighty years between the infancy of
Moses and his return from the desert of Midian, so that the clear-eyed
and sprightly girl had grown away from the buoyancy of youth during the
years of his exile, and must have been nearly, if not quite, a hundred
years old, when God’s chosen people were led out of the iron furnace
of bondage, a fact we must not lose sight of in the brief narrative
of this noble woman in White Raiment. Her age may, in part at least,
account for the high position given her. “The sister of Aaron,” is her
biblical distinction which she never lost. In Numbers xii, 1, she is
placed before Aaron, and in Micah vi, 4, reckoned as one of the three
deliverers of God’s chosen people, “I sent before thee Moses and Aaron
and Miriam.” Hence it is quite evident that she had no small part in
the redemption of the house of Israel from the land of oppression.
Whether or not the prejudices of that day gave her full honor, the Lord
admitted her to the triumvirate of deliverance, the three children of
the brave, faithful Jochebed.
She was also the first person in her father’s house, and the first
woman in the history of God’s people to whom the prophetic gifts
are directly ascribed. “Miriam the prophetess,” is her acknowledged
title in Exodus xv, 20. She stood, as the leader of Hebrew women,
appropriately by the side of the future conductor of the religious
service.
[Illustration: MIRIAM’S SONG OF TRIUMPH.]
In the song of triumph which the children of Israel sang after their
passage of the Red Sea, Miriam, with cymbal in hand, led the women in
their part of the glad song of deliverance. It does not appear how far
the Hebrew women joined in the song, that is, the part led by Moses,
but in the antiphony, Miriam repeats the opening words, in the form
of a command to the women, saying, “Sing ye to Jehovah, for he hath
triumphed gloriously; the horse and his rider hath He thrown into the
sea.”
“Sound the loud timbrel o’er Egypt’s dark sea!
Jehovah has triumphed, His people are free!
Sing, for the pride of the tyrant is broken;
His chariots, his horsemen, all splendid and brave;
How vain was their boasting! the Lord hath but spoken,
And chariots and horsemen are sunk in the wave.
Public-domain text, read in full here on John Shaqi.
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