Women of Belgium: Turning Tragedy to TriumphKellogg, Charlotte
History
Women of Belgium: Turning Tragedy to Triumph
Kellogg, Charlotte
Commission for Relief in Belgium; World War, 1914-1918 -- Hospitals
A fever of effort followed. Everywhere those who had been trying to
keep the groups of lace-workers alive were given thread. They organized
centers for the control of the output. The thread must be weighed as it
was given out, and paid for by the worker as a guaranty that it would
not be sold to some one else; the weight of the lace turned in must
tally. Much thought must be put in the selection of designs, into the
choice of articles to be made—things that would interest the people of
England and France and America.
[Illustration: THE SUPPLEMENTARY MEAL THE RELIEF COMMITTEE IS NOW
TRYING TO GIVE TO 1,250,000 SCHOOL CHILDREN]
Certain parts and kinds of these laces are made in certain districts
only. I am told that the very fine Malines lace, made now only in
a restricted area, will not be found much longer. All these separate
parts must be brought to the central depot to be made into tea-cloths
and doilies and other articles for export. The finest and most
necessary laces and the linen for the cloths are made in or about
Bruges and Courtrai and in other towns in Flanders, in what is known as
the “Étape,” or zone of military preparation, with which it is almost
impossible to communicate.
The C. R. B. is made absolutely responsible to England that no lace
will be sold in the open market in the occupied territory (altho it
was allowed to be sold in October and November, 1915, at exhibitions
in several of the large cities of Belgium), and that all of it be
exported. If it is not sold, it must be held at Rotterdam.
One can imagine the meaning of the first export of lace to those
whose hearts were in this work. It was not only that they saw the
lace-workers kept alive, but they saw their country reunited with the
outside world. Her beautiful laces were going to those who would buy
them eagerly, her market would be kept open.
Of necessity, the work became strongly centralized. The Brussels
bureau, where three noble women especially were giving literally every
day of their time and every particle of their energy and talent, became
the official headquarters, and 45,000 lace-workers were employed under
orders sent out by this central committee. Every day they came to
plan, to design, to direct. They were handling thousands of articles,
and hundreds of thousands of francs. They carefully examined every
yard sent in, rejecting any piece below the standard, encouraging
excellence in every possible way. Never in recent times have there
been such beautiful laces made, and they are being sold at about half
what was asked before the war. Many of the designs are copies of the
best ancient models, other lovely ones turn on the present situation,
having for motive the roses of the Queen, the arms of the provinces,
the animals of the Allies.
Public-domain text, read in full here on John Shaqi.
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