Women of Mediæval France: Woman: in all ages and in all countries Vol. 5 (of 10)Butler, Pierce
History
Women of Mediæval France: Woman: in all ages and in all countries Vol. 5 (of 10)
Butler, Pierce
Biography -- Middle Ages, 500-1500; Women -- France -- History -- Middle Ages, 500-1500
One day when Guillem had gone off hawking alone Margarida saw Raymond
hide his sword under his cloak and follow after Guillem. She waited in
fearful anxiety till they returned, Raymond apparently in good humor
with Guillem and all the world. Raymond told her that he had discovered
who was the lady of Guillem's songs. Margarida's terror may be imagined.
"I knew," said Raymond, "that no one could sing so well unless he loved.
When I conjured him, by his faith, to tell me whom he loved, he evaded
me at first, but at length confessed that it was your sister, Lady Agnes
de Tarascon." He then told her that it was all true, moreover, for he
had ridden to the Château de Tarascon with Guillem, and that, after some
hesitancy, the Lady Agnes had admitted that Guillem was her lover.
Margarida was at first dumfounded, and completely incredulous; but her
husband's statements were so exact that she was finally convinced of
Guillem's faithlessness.
At their first private interview she taxed him with his ingratitude, and
would scarcely listen to his denials. Guillem told her that, seeing
himself forced into a corner by Raymond's persistent questions, he had
named the Lady Agnes in desperation, to prevent immediate discovery and
death. The Lady Agnes and her husband, whom she had told of the
intrigue, soon confirmed the lover's story. Lady Agnes had seen the
distress in Guillem's countenance when Raymond brought him to Tarascon
and asked her, in his presence, who was her lover. To save Guillem and
her sister, Lady Agnes had admitted that Guillem was her lover, and she
and her husband had done all in their power to convince Raymond of this
fact. One need hardly remark on the social conditions or the general
laxity of morals implied in the naïve recital of such an incident.
To continue Margarida's story, the lovers were reconciled and Guillem
celebrated the reconciliation in a song. Unfortunately he had grown
rash, and alluded too openly in this song to the very circumstances of
their case. "No man," he sang, "suffers greater martyrdom than I; for
you, whom I desire more than aught in this world, I must disavow and
deny, and lie as if no love were in my heart. Whate'er I do through fear
of my life, you must take in good faith, even though you do not see why
I do it." This song, some portions of which were violently amorous, came
to the hands of Raymond. He guessed the truth at once, and planned an
awful vengeance.
Public-domain text, read in full here on John Shaqi.
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