Wood Carvings in English Churches: I. Stalls and Tabernacle Work. II. Bishop's Thrones and Chancel Chairs.Bond, Francis
History
Wood Carvings in English Churches: I. Stalls and Tabernacle Work. II. Bishop's Thrones and Chancel Chairs.
Bond, Francis
Choir stalls; Church decoration and ornament; Wood-carving
The change of position from the back of the High altar to the front of it
was a complete break with tradition. Equally complete was the break in
design. In the design of the Gothic throne there is no reminiscence
whatever of the marble chairs of the Early Christian basilicas and the
Pagan Thermæ. The Gothic thrones are but glorified versions of such stalls
and spirelet-tabernacles as those of Lincoln; they are spacious stalls,
sometimes, as at St David's, big enough to hold a bishop and two chaplains,
and crowned with a spire of open woodwork. The earliest and grandest is
that of Exeter cathedral; the Fabric Rolls shew that in 1312 during the
episcopate of Bishop Stapledon there was paid "for timber for the bishop's
seat £6. 12s. 8½d." The oak was kept four years before it was used. Then £4
was paid to Robert de Galmeton "for making the bishop's seat by contract."
There was also a charge of 30s. for {108} painting, and there must have
been one for carving the statues in the canopy. The whole cost would be
about £13; say £200 in our money; a sum surprisingly small for work of such
magnitude and delicate detail. The throne was evidently intended to have a
chair placed under it, and probably seats for the bishop's chaplains to the
right and left. It is 57 feet high; at present its niches look somewhat
unsubstantial and meagre; but that is because all the niches were tenanted
with statues, and all have disappeared. The carved foliage is of
exceptional excellence, and the corners of the pinnacles are occupied with
small heads of oxen, sheep, dogs, pigs, monkeys and other animals (102).
[Illustration: St David's]
{109}
[Illustration: St David's]
{110} Not much later is the throne in Hereford cathedral. That at Wells is
fifteenth century work, and by a pretty fancy of the "restorers" its
tracery is filled with modern plate glass, and the door is a solid swinging
stone! That at St David's is nearly 30 feet high. Of the throne erected by
Bishop Gower _c._ 1342 there remains _in situ_ only the low partition
surrounding it; the present throne was probably put up by Bishop Morgan
between 1496 and 1504 (109).[65]
The throne at Durham is of masonry, and in two parts of different dates.
The lower portion contains an altar tomb surmounted by a recumbent effigy
of the bishop in richly worked robes beneath a rich lierne vault. No doubt
Bishop Hatfield as usual put this up during his lifetime; he was bishop
from 1345 to 1381. This lower part is an exquisite example of the design in
vogue before the advent of the Black Death of 1349-50. On the tomb is the
pulpit, which bears unmistakable marks of the change of style which became
general after 1350. The drawing shews the throne as it was in 1843 (107).
* * * * * {111}
CHAPTER VIII
CHAIRS IN CHURCHES
Public-domain text, read in full here on John Shaqi.
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