"No, I think not," said Gertrude. "I like the old lady very much too;
but I don't quite know about Miss Ashurst; I think the more I see of
her, the less I seem to know her. You must not leave her altogether to
me, Maude. I wonder why one feels so strange with her? Heigh-ho!" said
the girl, with a comical look, and a shake of her pretty head, "I
suppose it's because she's so superior."
On the following day, Mrs. Ashurst and Marian took leave of their old
home, and were conveyed in one of Mr. Creswell's carriages to
Woolgreaves.
CHAPTER IX.
THE TENTH EARL.
Hetherington House stands in Beaufort Square, forming one side of that
confessedly aristocratic quarter. The house stands back in melancholy
"grounds" of dirty gravel, brown turf, and smutted trees, while the
dwarf wall which forms the side of the square, and is indeed a
sufficiently huge brick screen, fences off the commonalty, and
prevents them from ever catching so much as a glimpse of the paradise
within, save when the great gates are flung open for the entrance or
exit of vehicles, or when the porter, so gorgeous and yet so simple,
is sunning himself in the calm evening air at the small postern-door.
The Countess of Hetherington likes this brick screen, and looks upon
it as a necessary appanage of her rank. When visitors, having
exhausted every topic of conversation possible to their great minds--a
feat which is easily performed in the space of five minutes--and,
beginning to fear the immediate advent of brain-softening if not of
idiotcy, suddenly become possessed with a fresh idea after a
lengthened contemplation of the wall in front of them, and with an air
of desperation ask whether it does not make the house dull, Lady
Hetherington says that, on the contrary, it is the only thing that
renders the house habitable. She confesses that, during the time she
is compelled to be in London, the sight of hack cabs, and policemen on
their beat, and those kind of things, are not absolutely necessary to
her existence, and as Sir Charles Dumfunk insists on her rooms facing
the west, she is glad that the wall is there to act as a screen. Oh
yes, she is perfectly aware that Lord Letterkenney had the screen of
Purcell House pulled down and an open Italian façade erected in its
place, the picture of which was in the illustrated papers; but as Lady
Letterkenney until her marriage had lived in Ireland, and had probably
never seen anything human except priests and pigs, the sight of
civilised beings was doubtless an agreeable novelty to her. The same
circumstances did not exist in her, Lady Hetherington's, case, and she
decidedly liked the screen.
Public-domain text, read in full here on John Shaqi.
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