Length of keel 52 feet
Length between perpendiculars 59 "
Breadth, extreme 15.3 "
Draft aft 10 "
Forward 5.6 "
Mast from stem 23 "
Length of mast 56 "
Boom 53 "
Bowsprit 32 "
Lead outside 3 tons
Lead in all 23 to 24 tons
Meanwhile in matters of equipment steady progress was being made.
Wire rope was rapidly ousting hemp for all standing rigging.
Sailmaking, in the hands of Messrs. Lapthorn and of Charles Ratsey,
was rapidly becoming a science. Machine-spun and woven flax canvas was
in universal use, even cotton canvas was fitfully tried, and from the
first strongly upheld by Charles Ratsey, of Cowes; but prejudice was
too strong as yet for this material, and flax held the day for many a
year to come. It is gratifying that Mr. Ratsey should have lived to
see his favourite material triumphant, and to have looked, as he might
have done in 1893, at the finest fleet of racing yachts the world has
seen, clothed, from the Prince of Wales's majestic 'Britannia' to the
tiny half-rater, entirely with cotton.
[Illustration: 'LETHE'
_163 tons, showing lead keel and construction. Designed by G. L.
Watson. Built by Fay & Co., 1889._]
A considerable factor in modifying form was the gradual abolition of
shifting ballast; this, though not yet actually illegal, was being
more and more looked upon with disfavour, and as the use of outside
lead increased, it was found that depth was a more than sufficient
substitute for weather ballast, especially as beam was being squeezed
down by the tonnage rule, and a long lever in this direction rendered
impossible.
Timber was still the favourite material for building ('Mosquito,'
'Torpid,' and one or two others being the sole exceptions to this
rule); but about 1860 a new system of construction was tried in which
an iron framework was combined with a wooden skin or planking. This
system came rapidly into vogue on the Clyde, and was adopted by
several firms there in the building of those beautiful creations, the
China clipper ships. The annual race home with the season's teas was
the subject of discussion in the great Clyde shipyards, and I can well
remember the highest ambition of every spirited lad in the drawing
office was to live to design a China clipper. The Suez Canal closed
for ever this avenue to fame.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account