Yama [The Pit], a Novel in Three PartsKuprin, A. I. (Aleksandr Ivanovich)
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Yama [The Pit], a Novel in Three Parts
Kuprin, A. I. (Aleksandr Ivanovich)
Prostitutes -- Russia -- Fiction; Russia -- Fiction; Russian fiction -- Translations into English
“No, she isn’t here. Such a small, pug-nosed little girl. Naive and
very angry.” The reporter suddenly and sincerely burst into laughter.
“Excuse me ... It’s just so ... over my thoughts,” explained he through
laughter. “I recalled this old man very vividly just now, as he was
running along the corridor in fright, having grabbed his outer clothing
and shoes ... Such a respectable ancient, with the appearance of an
apostle, I even know where he serves. Why, all of you know him. But the
funniest of all was when he, at last, felt himself out of danger in the
drawing room. You understand—he is sitting on a chair, putting on his
pantaloons, can’t put his foot where it ought to go, by any means, and
bawls all over the house: ‘It’s an outrage! This is an abominable dive!
I’ll show you up! ... To-morrow I’ll give you twenty-four hours to
clear out! ... Do you know, this combination of pitiful helplessness
with the threatening cries was so killing that even the gloomy Simeon
started laughing ... Well, now, apropos of Simeon ... I say, that life
dumfounds, with its wondrous muddle and farrago, makes one stand
aghast. You can utter a thousand sonorous words against souteneurs, but
just such a Simeon you will never think up. So diverse and motley is
life! Or else take Anna Markovna, the proprietress of this place. This
blood-sucker, hyena, vixen and so on ... is the tenderest mother
imaginable. She has one daughter—Bertha, she is now in the fifth grade
of high school. If you could only see how much careful attention, how
much tender care Anna Markovna expends that her daughter may not
somehow, accidentally, find out about her profession. And everything is
for Birdie, everything is for the sake of Birdie. And she herself dare
not even converse before her, is afraid of her lexicon of a bawd and an
erstwhile prostitute, looks into her eyes, holds herself servilely,
like an old servant, like a foolish, doting nurse, like an old,
faithful, mange-eaten poodle. It is long since time for her to retire
to rest, because she has money, and because her occupation is both
arduous and troublesome, and because her years are already venerable.
But no and no; one more extra thousand is needed, and then more and
more—everything for Birdie. And so Birdie has horses, Birdie has an
English governess, Birdie is every year taken abroad, Birdie has
diamonds worth forty thousand—the devil knows whose they are, these
diamonds? And it isn’t that I am merely convinced, but I know well,
that for the happiness of this same Birdie, nay, not even for her
happiness, but, let us suppose that Birdie gets a hangnail on her
little finger—well then, in order that this hangnail might pass
away—imagine for a second the possibility of such a state of
things!—Anna Markovna, without the quiver of an eyelash, will sell into
corruption our sisters and daughters, will infect all of us and our
sons with syphilis. What? A monster, you will say? But I will say that
Public-domain text, read in full here on John Shaqi.
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