Yama [The Pit], a Novel in Three PartsKuprin, A. I. (Aleksandr Ivanovich)
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Yama [The Pit], a Novel in Three Parts
Kuprin, A. I. (Aleksandr Ivanovich)
Prostitutes -- Russia -- Fiction; Russia -- Fiction; Russian fiction -- Translations into English
Shall we drink some cognac, Lichonin?”
“What do you say to calling each other thou?” suddenly proposed
Lichonin.
“All right. Only, really, without any of this business of kissing, now.
Here’s to your health, old man ... Or here is another instance ... I
read a certain French classic, describing the thoughts and sensations
of a man condemned to capital punishment. He describes it all
sonorously, powerfully, brilliantly, but I read and ... well, there is
no impression of any sort; neither emotion nor indignation—just ENNUI.
But then, within the last few days I come across a brief newspaper
notice of a murderer’s execution somewhere in France. The Procureur,
who was present at the last toilet of the criminal, sees that he is
putting on his shoes on his bare feet, and—the blockhead!—reminds him:
‘What about the socks?’ But the other gives him a look and says, sort
of thoughtfully: ‘Is it worth while?’ Do you understand, these two
remarks, so very short, struck me like a blow on the skull! At once all
the horror and all the stupidity of unnatural death were revealed to me
... Or here is something else about death ... A certain friend of mine
died, a captain in the infantry—a drunkard, a vagabond, and the finest
soul in the world. For some reason we called him the Electrical
Captain. I was in the vicinity, and it fell to me to dress him for the
last parade. I took his uniform and began to attach the epaulettes to
it. There’s a cord, you know, that’s drawn through the shank of the
epaulette buttons, and after that the two ends of this cord are shoved
through two little holes under the collar, and on the inside—the
lining—are tied together. Well, I go through all this business, and tie
the cord with a slipknot, and, you know, the loop won’t come out,
nohow—either it’s too loosely tied, or else one end’s too short. I am
fussing over this nonsense, and suddenly into my head comes the most
astonishingly simple thought, that it’s far simpler and quicker to tie
it in a knot—for after all, it’s all the same, NO ONE IS GOING TO UNTIE
IT. And immediately I felt death with all my being. Until that time I
had seen the captain’s eyes, grown glassy, had felt his cold forehead,
and still somehow had not sensed death to the full, but I thought of
the knot—and I was all transpierced, and the simple and sad realization
of the irrevocable, inevitable perishing of all our words, deeds, and
sensations, of the perishing of all the apparent world, seemed to bow
me down to the earth ... And I could bring forward a hundred such small
but staggering trifles ... Even, say, about what people experienced in
the war ... But I want to lead my thought up to one thing. We all pass
by these characteristic trifles indifferently, like the blind, as
though not seeing them scattered about under our feet. But an artist
will come, and he will look over them carefully, and he will pick them
up. And suddenly he will so skillfully turn in the sun a minute bit of
Public-domain text, read in full here on John Shaqi.
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