We have seen the astonishingly tall spire of Hemingbrough Church from
the battlements of Wressle Castle, and when we have given a last look at
the grey walls and the windows, filled with their enormously heavy
tracery, we betake ourselves along a pleasant lane that brings us at
length to the river. Here we find a curious wooden swing-bridge, guarded
by a very high white gate, with a large motor-car in difficulties with a
herd of cows at the very narrow opening. From this point the spire
gives a picturesque finish to the perspective of road straight ahead,
and grows more imposing as we approach the village. The cottages are
scattered, and the atmosphere of the place is that of the deepest
slumber. A bend of the Ouse is within half a mile, and the low-lying
fields intervening were marshes before they were drained. The low wall
surrounding the raised ground of the churchyard has, no doubt, been
reached by the floods on many occasions. The spire is 120 feet in
height, or twice that of the tower, and this hugeness is perhaps out of
proportion with the rest of the building; yet I do not think for a
moment that this great spire could have been different without robbing
the church of its striking and pleasing individuality. There are
Transitional Norman arches at the east end of the nave, but most of the
work is Decorated or Perpendicular. The windows of the latter period in
the south transept are singularly happy in the wonderful amount of light
they allow to flood through their pale yellow glass.
The oak bench-ends in the nave, which are carved with many devices, and
the carefully repaired stalls in the choir, are Perpendicular, and no
doubt belong to the period when the church was a collegiate foundation
of Durham.
THE DERWENT AND THE HOWARDIAN HILLS
CHAPTER V
THE DERWENT AND THE HOWARDIAN HILLS
Malton is the only town on the Derwent, and it is made up of three
separate places--Old Malton, a picturesque village; New Malton, a
pleasant and old-fashioned town; and Norton, a curiously extensive
suburb. The last has a Norman font in its modern church, and there its
attractions begin and end. New Malton has a fortunate position on a
slope well above the lush grass by the river, and in this way arranges
the backs of its houses with unconscious charm. The two churches,
although both containing Norman pillars and arches, have been so
extensively rebuilt that their antiquarian interest is slight. Nothing
remains of the castle mentioned by Leland, and even Lord Eure’s great
house which succeeded it was taken down before the end of the
seventeenth century, before the building had had time to lose its
newness. On the way to Old Malton, some huge gateways on the right are
survivals of the imposing house.
Public-domain text, read in full here on John Shaqi.
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