Children -- Drama; Comedy plays; England -- Drama; Fathers -- Drama; Runaway husbands -- Drama; Wives -- Drama
GLORIA. That is the first thing I have heard you say that does you
honor.
VALENTINE. Stuff! Come: say what you want to say and let me go.
GLORIA. I have only this to say. You dragged me down to your level for
a moment this afternoon. Do you think, if that had ever happened before,
that I should not have been on my guard--that I should not have known
what was coming, and known my own miserable weakness?
VALENTINE (scolding at her passionately). Don't talk of it in that way.
What do I care for anything in you but your weakness, as you call it?
You thought yourself very safe, didn't you, behind your advanced ideas!
I amused myself by upsetting t h e m pretty easily.
GLORIA (insolently, feeling that now she can do as she likes with him).
Indeed!
VALENTINE. But why did I do it? Because I was being tempted to awaken
your heart--to stir the depths in you. Why was I tempted? Because Nature
was in deadly earnest with me when I was in jest with her. When the
great moment came, who was awakened? who was stirred? in whom did the
depths break up? In myself--m y s e l f: I was transported: you were
only offended--shocked. You were only an ordinary young lady, too
ordinary to allow tame lieutenants to go as far as I went. That's all.
I shall not trouble you with conventional apologies. Good-bye. (He makes
resolutely for the door.)
GLORIA. Stop. (He hesitates.) Oh, will you understand, if I tell you the
truth, that I am not making an advance to you?
VALENTINE. Pooh! I know what you're going to say. You think you're not
ordinary--that I was right--that you really have those depths in your
nature. It flatters you to believe it. (She recoils.) Well, I grant that
you are not ordinary in some ways: you are a clever girl (Gloria stifles
an exclamation of rage, and takes a threatening step towards him); but
you've not been awakened yet. You didn't care: you don't care. It was
my tragedy, not yours. Good-bye. (He turns to the door. She watches him,
appalled to see him slipping from her grasp. As he turns the handle, he
pauses; then turns again to her, offering his hand.) Let us part kindly.
GLORIA (enormously relieved, and immediately turning her back on him
deliberately.) Good-bye. I trust you will soon recover from the wound.
VALENTINE (brightening up as it flashes on him that he is master of the
situation after all). I shall recover: such wounds heal more than they
harm. After all, I still have my own Gloria.
GLORIA (facing him quickly). What do you mean?
VALENTINE. The Gloria of my imagination.
Public-domain text, read in full here on John Shaqi.
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