"Wouldn't it be rather dear?"
"Not at all. Twenty thousand would buy it any time this last hundred
years. But the worst of it is, no one wants it but the poets, and they
cannot afford it. Yet if only a poet could get hold of it, why what a
literary property it would be!"
"You silly old thing!"
"No! but you don't seem to realise that I'm quite serious. Think of the
money there would be for any poet who had acquired the exclusive
literary rights in the moon! Within a week I'd have it placarded all
over, 'Literary trespassers will be prosecuted!' And then I've no doubt
Henry would lend me the Man in the Moon for my Christmas pantomimes."
"After all, it's not a bad idea," said Esther.
"Of course it's not," said Mike; "but be careful not to mention it to
Henry just yet. I shouldn't like to disappoint him--for, of course,
before we took any final steps in the purchase, we'd have to make sure
that it wasn't, as some people think, made of green cheese."
"But never mind about the moon. Tell us how you got on with The
Sothern."
The Sothern was an amateur dramatic club in Tyre which took itself very
seriously, and to which Mike was seeking admission, as a first step
towards London management. He had that day passed an examination before
three of the official members, solemn and important as though they had
been the Honourable Directors of Drury Lane, and had been admitted to
membership in the club, with the promise of a small part in their
forthcoming performance.
"Oh, that's good!" said Esther. "What were they like?"
"Oh, they were all right,--rather humorous. They gave me 'Eugene Aram'
to read--Me reading 'Eugene Aram'!--and a scene out of 'London
Assurance,' which was, of course, better. Naturally, not one of the men
was the remotest bit like himself. One was a queer kind of Irving,
another a sad sort of Arthur Roberts, and the other was--shall we say, a
Tyrian Wyndham."
Actors, like poets, have provincial parodists of their styles in even
greater numbers, so adoringly imitative is humanity. Some day, Mike
would have his imitators,--boys who pulled faces like his, and prided
themselves on having the Laflin wrinkles; just as it was once the
fashion for girls to look like Burne-Jones pictures, or young poets to
imitate Mr. Swinburne.
"Yes, I've got my first part. I've got it in my pocket," said Mike.
"Oh, really! That's splendid!" exclaimed Esther, with delight.
"Wait till you see it," said Mike, bringing out a French's acting
edition of some forgotten comedy. "Yes; guess how many words I've got to
say! Just exactly eleven. And such words!"
"Well, never mind, dear. It's a beginning."
"Certainly, it's a beginning,--the very beginning of a beginning."
"Come, let me see it, Mike. What are you supposed to be?"
Public-domain text, read in full here on John Shaqi.
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