Young Mr. Barter's Repentance: From "Schwartz" by David Christie MurrayMurray, David Christie
General
Young Mr. Barter's Repentance: From "Schwartz" by David Christie Murray
Murray, David Christie
Fiction
‘Yes, my dear,’ her father answered with a kind of sullen sadness; ‘I’m
talking about Phil. He’s a member of the vilest crowd of the whole
lot, and he’s there night after night.’ He dashed his overcoat into an
arm-chair with despairing anger, and went marching up and down the room.
‘I saw him one night by accident as he was going in. I knew the place.
You might have knocked me down with a feather. I’ve watched him there
night after night. Don’t tell me I hadn’t the right to watch him. I had
the right My little girl shan’t marry a gambler. I won’t have my fortune
wasted by a gambler, and my child’s heart broken. I took a room,’ he
pursued wrathfully, ‘opposite the place. I’ve sat there in the dark with
the window open, and caught the d---- worst cold I ever had in my life
watching for him. I’ve seen him go in again and again. He’s a lost man,
I tell you,’ he cried in answer to his daughter’s look and gesture; ‘the
man who has that vice in his blood is lost!’
He was storming loudly, for he was one of those in whom emotion must
have expression in noise, but a sudden loud peal at the bell cut short
his harangue, and he and Patty stood in silence to know who it might be
who called so late. As it happened, it was no other than the lost man
himself. He was shown in according to wont and usage without previous
announcement, and entered gay and smiling, elate and tender.
As he looked from one to the other the expression of his face changed.
He moved quickly towards Patty, and took her hands in his.
‘There’s something the matter,’ he said gently. ‘You’re in trouble!’
The old boy, glaring at him, growled, ‘We are,’ and snatching up his
overcoat, threw it over his arm, and slipped his hat upon his head with
a gesture which Philip took for one of defiance. As a matter of fact it
expressed no more than wrathful grief, but then gesture and expression
are hard to read unless you have the key to them.
‘We’d better have it out, Phil,’ said the old man, ‘here and now. You’ve
turned gambler, and I’ve found you out.’
‘No,’ Phil answered, with an odd smile; ‘I haven’t turned gambler, I
assure you. You’ve heard that I’ve joined the Pigeon Trap? That’s what
they call it in the City. I prefer to call it the Hawks’ Roost. There
are too few pigeons go there to be plucked to justify the other title,
and I give you my word of honour, Mr. Brown, that I’m not one of them.’
The young man’s air was candid and amused. There was an underlying
gravity beneath the smile, and for people who had believed in him as
devoutly as his two listeners it was hard to disbelieve him now.
‘You’ve gone into the infernal hole,’ said old Brown, more than half
abandoning suspicion, and yet inclined to leave it growlingly, as a dog
might surrender a bone he conceived himself to have a right to. ‘What do
you want there?’
Public-domain text, read in full here on John Shaqi.
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