Your Mind and How to Use It: A Manual of Practical PsychologyAtkinson, William Walker
Science
Your Mind and How to Use It: A Manual of Practical Psychology
Atkinson, William Walker
Psychology
The following quotation from John Fiske's "Through Nature to God" is
appropriate in this place. Fiske says: "My aim is to show that 'that
other influence,' that inward conviction, the craving for a final cause,
the theistic assumption, is itself one of the master facts of the
universe, and as much entitled to respect as any fact in physical nature
can possibly be. The argument flashed upon me about ten years ago while
reading Herbert Spencer's controversy with Frederic Harrison concerning
the nature and reality of religion. Because Spencer derived historically
the greater part of modern belief in an Unseen World from the savage's
primeval world of dreams and ghosts, some of his critics maintained that
logical consistency required him to dismiss the modern belief as utterly
false; otherwise he would be guilty of seeking to evolve truth from
falsehood. 'By no means,' replied Spencer. 'Contrariwise, the ultimate
form of the religious consciousness is the final development of a
consciousness which at the outset contained a germ of truth obscured by
multitudinous errors.'" Fiske, in this connection, quotes the
Tennysonian question:--
"'Who forged that other influence,
That heat of inward evidence,
By which he doubts against the sense?'"
The religious emotions may be developed by allowing the mind to dwell
upon the Power underlying the universe of fleeting, changing forms; by
reading prose and poetry in which an appeal is made to the religious
instinct; by listening to music which awakens the emotion of reverence
and awe; and, finally, by meditating upon the inner spirit immanent in
every living being. As an old Hindu sage once said: "There are many
paths by which men arrive at a knowledge of the presence of God, but
there is but one goal and destination."
CHAPTER XVI.
The Aesthetic Emotions.
By "the æsthetic emotions" is meant those emotional feelings which are
concerned with the perception of beauty or taste, and by reason of which
we "like" or "dislike" certain perceptions of sensory impressions. In
order to get a clearer idea, let us consider what is meant by "beauty"
and "taste."
Public-domain text, read in full here on John Shaqi.
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