Bouchalka was not a reflective person. He had his own idea of what a
great prima donna should be like, and he took it for granted that Mme.
Garnet corresponded to his conception. The curious thing was that he
managed to impress his idea upon Cressida herself. She began to see
herself as he saw her, to try to be like the notion of her that he
carried somewhere in that pointed head of his. She was exalted quite
beyond herself. Things that had been chilled under the grind came to life
in her that winter, with the breath of Bouchalka's adoration. Then, if
ever in her life, she heard the bird sing on the branch outside her
window; and she wished she were younger, lovelier, freer. She wished
there were no Poppas, no Horace, no Garnets. She longed to be only the
bewitching creature Bouchalka imagined her.
One April day when we were driving in the Park, Cressida, superb in a
green-and-primrose costume hurried over from Paris, turned to me smiling
and said: "Do you know, this is the first spring I haven't dreaded. It's
the first one I've ever really had. Perhaps people never have more than
one, whether it comes early or late." She told me that she was
overwhelmingly in love.
Our visit to Bouchalka when he was ill had, of course, been reported, and
the men about the Opera House had made of it the only story they have the
wit to invent. They could no more change the pattern of that story than
the spider could change the design of its web. But being, as she said,
"in love" suggested to Cressida only one plan of action; to have the
Tenth Street house done over, to put more money into her brothers'
business, send Horace to school, raise Poppas' percentage, and then with
a clear conscience be married in the Church of the Ascension. She went
through this program with her usual thoroughness. She was married in June
and sailed immediately with her husband. Poppas was to join them in
Vienna in August, when she would begin to work again. From her letters I
gathered that all was going well, even beyond her hopes.
When they returned in October, both Cressida and Blasius seemed changed
for the better. She was perceptibly freshened and renewed. She attacked
her work at once with more vigour and more ease; did not drive herself so
relentlessly. A little carelessness became her wonderfully. Bouchalka was
less gaunt, and much less flighty and perverse. His frank pleasure in the
comfort and order of his wife's establishment was ingratiating, even if
it was a little amusing. Cressida had the sewing-room at the top of the
house made over into a study for him. When I went up there to see him, I
usually found him sitting before the fire or walking about with his hands
in his coat pockets, admiring his new possessions. He explained the
ingenious arrangement of his study to me a dozen times.
Public-domain text, read in full here on John Shaqi.
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