A meeting that was called to organize an Anti-Slavery society in New York City was broken up by a mob. All of those in attendance made their escape except one negro. He was caught and his captors thought it would be a capital joke to make him personify one of the big Abolitionists. He was lifted to the platform and directed to imagine himself an Anti-Slavery leader and make an Abolition speech. The fellow proved to be equal to the occasion. He proceeded to assert the right of his race to the privileges of human beings with force and eloquence. His hearers listened with amazement, and possibly with something like admiration, until, realizing that the joke was on them, they pulled him from the platform and kicked him from the building. CHAPTER XII LINCOLN AND DOUGLAS In speaking of the orators and oratory that were evolved by the Slavery issue, there are two names that cannot be omitted. These are Abraham Lincoln and Stephen A. Douglas. It was the good fortune of the writer to be an eye and ear witness of the closing bout, at Alton, Illinois, between those two political champions in their great debate of 1858. The contrast between the men was remarkable. Lincoln was very tall and spare, standing up, when speaking, straight and stiff. Douglas was short and stumpy, a regular roly-poly man. Lincoln's face was calm and meek, almost immobile. He referred to it in his address as "my rather melancholy face." Although plain and somewhat rugged, I never regarded Lincoln's face as homely. I saw him many times and talked with him, after the occasion now referred to. It was a good face, and had many winning lines. Douglas's countenance, on the other hand, was leonine and full of expression. His was a handsome face. When lighted up by the excitement of debate it could not fail to impress an audience. Lincoln indulged in no gesticulation. If he had been addressing a bench of judges he would not have been more impassive in his manner. He was an animate, but not an animated, bean-pole. He poured out a steady flow of words--three to Douglas's two--in a simple and semi-conversational tone. He attempted no witticisms and indulged in no oratorical claptrap. His address was pure argument. Douglas's manner was one of excitement, and accompanied and emphasized by almost continuous bodily movement. His hands and his feet, and especially that pliable face of his, were all busy talking. He said sharp things, evidently for their immediate effect on his audience, and showed that he was not only master of all the arts of the practical stump orator, but was ready to employ them.