The Harlequin Opal: A Romance. Vol. 1 (of 3) — David Hume — John Shaqi
The Harlequin Opal: A Romance. Vol. 1 (of 3)
David Hume · en
The belief in the devil stone was universal throughout Cholacaca. Not
only did the immediate flock of Padre Ignatius revere it as a symbol of
the war-god, but every person in the Republic who had Indian blood in
his or her veins firmly believed that the shining precious stone
exercised a power over the lives and fortunes of all. Nor was such
veneration to be wondered at, considering how closely the history of
the great gem was interwoven with that of the country. The shrine of
the opal had stood where now arose the cathedral; the Indian
appellation of the jewel had given its name to the town; and the
picture representation of the gem itself was displayed on the yellow
standard of the Republic. Hardly any event since the foundation of the
city could be mentioned with which the harlequin opal was not connected
in some way. It was still adored in the forest temple by thousands of
worshippers, and, unknown as it was to the padres, there were few
peons, leperos, or mestizos who had not seen the gem flash on the altar
of the god. Cholacacans of pure Spanish blood, alone refrained from
actual worship of the devil stone, and even these were more or less
tinctured with the superstition. It is impossible to escape the
influence of an all-prevailing idea, particularly in a country not
quite veneered by civilisation.
On this special evening, when President Gomez was to address the
populace, and assure them that there would be no war, the alameda
presented an unusually lively appearance. It had been duly notified
that His Excellency would make a speech on the forthcoming crisis,
hence the alameda was crowded with people anxious to hear the official
opinion of the affair. The worst of it was, had Gomez but known it,
that the public mind was already made up. There was to be war, and that
speedily, for a rumour had gone forth from the sanctuary of the opal
that the gem was burning redly as a beacon fire. Everyone believed that
this foreboded war, and Gomez, hoping to assure the Tlatonacians of
peace, might as well have held his tongue. They would not believe him
as the opal stone had prophesied a contrary opinion. But beyond an idle
whisper or so, Gomez did not know this thing, therefore he came to the
alameda and spoke encouragingly to the people.
From all quarters of the town came the inhabitants to the alameda, and
the vast promenade presented a singularly gay appearance. The national
costumes of Spanish America were wonderfully picturesque, and what with
the background of green trees, sparkling fountains, brilliant
flower-beds, and, over all, the violet tints of the twilight, Philip
found the scene sufficiently charming. He was walking beside Jack, in
default of Eulalia, who, in company with Dolores, marched demurely
beside Doña Serafina. This was a public place, the eyes of Tlatonac
gossips were sharp, their tongues were bitter, so it behoved discreet
young ladies, as these, to keep their admirers at a distance. In the
patio it was quite different.