A Capillary Crime, and Other Stories — John Stuart Mill — John Shaqi
A Capillary Crime, and Other Stories
John Stuart Mill · en
There were four of us, as I have said: old Reiner, Tyck, Henley, and
myself. Each represented a different nationality. Reiner was a Norwegian
of German descent, tall and ungainly, with a large head, a shock of
light-colored, coarse hair, a virgin beard, and a good-humored face
focused in a pair of searching gray eyes that pried their way into
everything that came under their owner’s observation. He was by no means
a handsome man, neither was he unattractive; and his sober habits, cool
judgment, and great stock of general information gained for him the
familiar name of old Reiner among the more thoughtless and more
superficial students who were his friends. He was by nature of a more
scientific than artistic turn of mind. He was conversant with nine
languages, including Sanskrit, had received a thorough university
education in Norway and Germany, took delight in investigating every
subject that came in his way--from the habits of an ant to the movements
of the gold market in America--and could talk intelligently and
instructively on every topic proposed to him. Indeed, his scientific and
literary attainments were a wonder to the rest of us, who had lived
quite as long and had accomplished much less. As an artist he had great
talents as well; but here also his love of investigation constantly
directed his efforts. In his academic course he had less success than
might have been anticipated, except in the direction of positive
rendering of certain effects. He was not a colorist; such natures rarely
are; and it is probable that he would never have made a brilliant artist
in any branch of the profession, for he was too much of a positivist,
and even his historical pictures would have been little more than
marvels of correctness of costume and accessories. In his association
with us, the flow of his abundant good-humor, which sometimes seemed
unlimited, was interrupted by occasional spells of complete reaction,
when he neither spoke to nor even saw any one else, but made a hermit of
himself until the mood had passed.