The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855) — John Stuart Mill — John Shaqi
The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
John Stuart Mill · en
=30. Apollo=, or Ph[oe]bus Apollo, the son of Jupiter and Latona, was
preëminently the god of the sun. His name _Ph[oe]bus_ signifies the
radiant nature of the sunlight; his name _Apollo_, perhaps, the cruel
and destructive heat of noonday. Soon after his birth, Jupiter would
have sent him to Delphi to inculcate righteousness and justice among
the Greeks; but the golden god Apollo chose first to spend a year in
the land of the Hyperboreans, where for six continuous months of the
year there is sunshine and spring, soft climate, profusion of herbs
and flowers, and the very ecstasy of life. During this delay the
Delphians sang pæans,--hymns of praise,--and danced in chorus about
the tripod (or three-legged stool), where the expectant priestess of
Apollo had taken her seat. At last, when the year was warm, came the
god in his chariot drawn by swans,--heralded by songs of springtide,
of nightingales and swallows and crickets. Then the crystal fount
of Castalia and the stream Cephissus overflowed their bounds, and
mankind made grateful offerings to the god. But his advent was not
altogether peaceful. An enormous serpent, Python, had crept forth from
the slime with which, after the flood, the Earth was covered; and in
the caves of Mount Parnassus this terror of the people lurked. Him
Apollo encountered and after fearful combat slew, with arrows, weapons
which the god of the silver bow had not before used against any but
feeble animals,--hares, wild goats, and such game. In commemoration
of this illustrious conquest, he instituted the Pythian games, in
which the victor in feats of strength, swiftness of foot, or in the
chariot race, should be crowned with a wreath of beech leaves. Apollo
brought not only the warm spring and summer, but also the blessings
of the harvest. He warded off the dangers and diseases of summer and
autumn; and he healed the sick. He was patron of music and of poetry.
Through his oracle at Delphi, on the slopes of Parnassus in Phocis, the
Pythian god made known the future to those who consulted him. He was a
founder of cities, a promoter of colonization, a giver of good laws,
the ideal of fair and manly youth,--a pure and just god, requiring
clean hands and pure hearts of those that worshiped him. But though a
god of life and peace, the far-darter did not shun the weapons of war.
When presumption was to be punished, or wrong righted, he could bend
his bow and slay with the arrows of his sunlight. As in the days of his
youth he slew the Python, so, also, he slew the froward Tityus, and so
the children of Niobe. While Ph[oe]bus Apollo is the Olympian divinity
of the sun, fraught with light and healing, spiritual, creative, and
prophetic, he must not be confounded with a god of the older dynasty,
Helios (offspring of Hyperion, Titanic deity of light), who represented
the sun in its daily and yearly course, in its physical rather than
spiritual manifestation. The bow of Apollo was bound with laurel in