The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855) — John Stuart Mill — John Shaqi
The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
John Stuart Mill · en
=32. Diana (Artemis)=, twin sister of Apollo, was born on Mount
Cynthus in the island of Delos. Latona, the future mother of Diana
and Apollo, flying from the wrath of Juno, had besought, one after
another, the islands of the Ægean to afford her a place of rest; but
they feared too much the potent queen of heaven. Delos alone consented
to become the birthplace of the future deities. This isle was then
floating and unstable; but on Latona's arrival, Jupiter fastened it
with adamantine chains to the bottom of the sea, that it might be a
secure resting-place for his beloved. The daughter of Latona is, as
her name _Artemis_ indicates, a virgin goddess, the ideal of modesty,
grace, and maidenly vigor. She is associated with her brother, the
prince of archery, in nearly all his adventures, and in attributes she
is his feminine counterpart. As he is identified with sunlight, so is
she, his fair-tressed sister, with the chaste brilliance of the moon.
Its slender arc is her bow; its beams are her arrows with which she
sends upon womankind a speedy and painless death. In her prerogative
of moon-goddess she is frequently identified with Selene, daughter
of Hyperion, just as Apollo is with Helios. Despising the weakness
of love, Diana imposed upon her nymphs vows of perpetual maidenhood,
any violation of which she was swift and severe to punish. Graceful
in form and free of movement, equipped for the chase, and surrounded
by a bevy of fair companions, the swift-rushing goddess was wont to
scour hill, valley, forest, and plain. She was, however, not only
huntress, but guardian, of wild beasts,--mistress withal of horses
and kine and other domestic brutes. She ruled marsh and mountain; her
gleaming arrows smote sea as well as land. Springs and woodland brooks
she favored, for in them she and her attendants were accustomed to
bathe. She blessed with verdure the meadows and arable lands, and from
them obtained a meed of thanks. When weary of the chase she turned to
music and dancing; for the lyre and flute and song were dear to her.
Muses, Graces, nymphs, and the fair goddesses themselves thronged the
rites of the chorus-leading queen. But ordinarily a woodland chapel
or a rustic altar sufficed for her worship. There the hunter laid his
offering--antlers, skin, or edible portions of the deer that Artemis of
the golden arrows had herself vouchsafed him. The holy maid, however,
though naturally gracious, gentle, and a healer of ills, was, like
her brother, quick to resent injury to her sacred herds or insult
to herself. To this stern temper Agamemnon, Orion, and Niobe bore
regretful testimony. They found that the "fair-crowned queen of the
echoing chase," though blithe and gracious, was by no means a frivolous
personage.
[Illustration: FIG. 18. DIANA (ARTEMIS) OF VERSAILLES]