When I ask Pinky about critics, the color rises in his cheeks. "Don't get
me on critics," he warns, before launching into an unrestrained diatribe.
"First of all, they're not critics as far as I'm concerned. They should be
reporters. But they never report what goes on in the concert hall. The
public stood up and clapped for 10 minutes. Say it, damn it! Don't say
that bar 56 was not right in the Beethoven G Major Sonata. Who cares?
It's so stupid!
"I'm a great fiddle player. They all say that. Fine. It's understood, it's
granted. It's there. Okay. So instead of criticizing my fiddle playing, they
say I'm becoming aloof, and this and that. ... One week they tear me to
shreds for my conducting. The next week I get these rave reviews. Now,
how can one person be that different in one week? What do they think,
that I'm a duet?"
Asked how much time he spends practicing, Pinky replies: "As much as
I need to. I don't think about time. You either live music or you don't. ...
Music is an unending art form which demands your complete attention and
perfection at all times. What a wonderful thing to be able to say -- I'll be
able to say it in maybe 15 or 20 years -- that I have gone through all of
Schubert's works. What an incredible achievement that is! I can tell you,
it's a lot more satisfying than flying an airplane."
-- THE END --
Public-domain text, read in full here on John Shaqi.
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