"1812" : $b Napoleon I in RussiaVereshchagin, Vasilïĭ Vasilʹevich
History
"1812" : $b Napoleon I in Russia
Vereshchagin, Vasilïĭ Vasilʹevich
Napoleonic Wars, 1800-1815 -- Campaigns -- Russia; Russia -- History -- 1801-1917
Chichagof to his first mistake added yet another, into which no
intelligent sergeant-major would have fallen, and which is really beyond
forgiveness. Zemlin lies on the far side of the river in the middle of
an extensive marsh, over which passes the Vilna road. The latter is
constructed on a causeway of twenty-two wooden bridges, which the
Russian general could and ought to have burnt before he retired.
Combustible materials had indeed been put under them for this very
purpose, but no one took the trouble to set fire to them. If Chichagof
had been less self-confident he would at least, in withdrawing to
Ukholda, have ensured the impossibility of the passage of the river at
Studyanka by ordering the Vilna road to be destroyed. The French army
would have been irretrievably lost, and all their labours and sacrifices
at the passage of the Beresina would have availed them nothing, for the
deep marshes which surround Zemlin would inevitably have stopped them.
The crowding, jostling, confusion, fighting, and killing which took
place at the passage of the Beresina, according to the testimony of
those who witnessed the scene, defy description. All rushed like madmen
for the bridges; no one was master of himself, a universal frenzy
possessed the whole army. They hewed a passage with their swords or
whatever weapon they possessed, and hurled down every obstacle in their
way. The word “Emperor,” which a month before had been one to conjure
with, had lost its magic. Caulaincourt, the great Master of the Horse,
was hustled and jostled, almost knocked from the saddle, before he
managed with infinite difficulty to get the Emperor’s horses and
carriages over.
By the evening the Russian guns (of Witgenstein’s army) were in
position, and opened fire on the masses of soldiers who covered the
banks and the bridges. It is difficult, nay impossible, to paint the
scenes of horror, of butchery, which were enacted under the fire of the
Russian batteries. The terrified troops were so closely huddled and
packed together that every shot told with fearful effect. With the cries
of despair which rang out on every side, with the groans of men and the
neighing of horses as they fell and were trampled under-foot, mingled
the ceaseless shrieking of the cannon-balls, the booming of the guns,
the rain of lead upon wagons, carriages and caissons, broken, shattered
and dispersed, their flying splinters still further adding to the
slaughter. It was a scene of horror beyond the power of words to paint.
Public-domain text, read in full here on John Shaqi.
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