1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
To walk down the various passages between the seats, and run the eye
over the several heaps of refuse, piled on the ground like treasure, was
to set the mind wondering as to what could possibly be the uses of each
and every of them. Everything there seemed to have fulfilled to the very
utmost the office for which it was made; and now that its functions were
finished, and it seemed to be utterly worthless, the novice to such
scenes could not refrain from marvelling what remaining purpose could
possibly give value to “the rubbish.”
The buyers, too, were as picturesque and motley a group almost as were
the sellers—for the purchasers were of all nations, and habited in every
description of costume. Some were Greeks, others were Swiss, while
others were Germans. Some had come there to buy up the old rough charity
clothing, and the army grey great-coats, for the “Irish” market; others
had come to purchase the hareskins or old furs, or to give “the best
price” for old tea-pots and tea-urns. One man, with a long flowing beard
and greasy tattered gaberdine, was said to be worth thousands; thither
he had come to add another sixpence to his hoard, by dabbling in the
rags and refuse, strewn about the ground in heaps, for sale: others were
there to purchase the old Wellingtons, and to have them new-fronted or
their cracks heel-balled over, and then vended to clerks, who are
“expected to appear respectable” on the smallest salaries. That Jewess
is intent on buying up the left-off wardrobes “of the nobility,” so as
to dispose of the faded finery to the actresses of the minor theatres,
or the “gay” ladies of the upper boxes. Yonder old Israelite, who goes
prowling between the seats, is looking out for such black garments as
will admit of being “clobbered” up, or “turned” into “genteel suits” for
poor curates, or half-paid ushers of classical academies. Nor does he
reject those which are worn even threadbare in parts, for he well knows
they will admit of being transformed into the “best boys’ tunics;” while
such as are too far gone for _that_, he buys to be torn to pieces by the
“devil,” and made up again into new cloth, or “shoddy,” as it is termed;
and others, which his practised eye tells him have already done that
duty, he bids for, knowing that they will still fetch him a good price,
even as manure for the ground. Some of the buyers have come principally
to purchase the old silk hats—and as they wander among the heaps of old
clothes, and rags, and metal, they stop every now and then, and crumple
up the shapes in their hands to try whether they have been—as they call
it—“through the fire or not,” and those which will stand the test of
their experienced touch, they buy for the shops, to have converted into
the “best new hats” for the country. Some, again, are there chiefly to
“pick up” the old umbrellas, which they value not only for the whalebone
ribs but the metal supporters—the latter articles furnishing the
Public-domain text, read in full here on John Shaqi.
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