1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
The arrival of the police at length put an end to the whole affair, and
the hawker, with a dense crowd after him, was carried off, struggling
and bellowing among four of the stoutest of the force, each holding him
by one of his extremities. On being searched at the station-house, Mr.
Sandboys’ pocket-book was found in the hawker’s possession; in one of
its compartments were the cards of address belonging to that gentleman.
The authorities, believing these to be the rightful property of the
flower-seller, proceeded at once to enter, among the list of offenders
of that day, the name of Mr. Christopher Sandboys, of Craven-street,
Strand, as having been found drunk, disorderly, and incapable of taking
care of himself.
The reader knows the occurrences that followed. A messenger was
despatched to the residence of Mr. Sandboys, to apprise that gentleman’s
family of his unpleasant position.
* * * * *
Mrs. Sandboys had been gone but a short while, before Cursty, who had
been “dropped,” as the idiom runs, by the omnibus, at the top of the
street, staggered, half asleep and half awake, up to the door.
He had no sooner set foot on the door-mat, than Mrs. Fokesell, who had
espied him from the kitchen window, and run up to answer his knock,
threw up her hands in astonishment, and exclaimed, in a familiar way,
“How in the world did you ever get out?”
The innocent Christopher was unable to comprehend either the cause of
the lady’s surprise, or the meaning of her question. “What do’sta mean,
woman?” he said.
“Oh!” returned Mrs. Fokesell, winking her eye as she nudged his elbow;
“you needn’t mind telling me—I knows all about it. There’s been a party
up here, and told us of all your goings on.”
“My gangings an!” exclaimed Cursty. “Ye may well say that, for I’ve been
half ow’r London.”
“Very well turned off”!” retorted Mrs. Fokesell; “but it won’t do. We’re
up to all your tricks, we are: so you’d much better confess at once. Oh,
you’re a sly old fox—though perhaps you ain’t much wuss than the rest of
you men. Fokesell was almost as bad—hardly a pin to choose betwixt
you.”’
Mr. Sandboys, fatigued and vexed with the futility of his journey, felt
in no way inclined for jesting; so, brushing past the unceremonious
landlady, he darted up the stairs to the family garret.
Mrs. Fokesell, however, in anticipation of a “scene,” which she longed
to witness, hastened after him, and was just in time to behold Elcy
throw herself into her father’s arms, and burst into subdued hysterics
at the unexpected pleasure of his return.
For a few minutes the landlady stood unobserved at the doorway, and
while Cursty was wondering within himself why his daughter should
receive him with so unusual an outburst of affection, and coupling her
tears with the mysterious conduct and insinuations of Mrs. Fokesell, he
began to ask himself, half in fear, “What fresh disaster could have
befallen them now?”
Public-domain text, read in full here on John Shaqi.
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