1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
“See frae a’ quarters, east and west,
I’ drwoves th’ country coman,
Wheyle flocks o’ naigs an’ kye are press’d
By flocks o’ men an’ women;
Buss’d i’ their best the blythesome troop
Bang forrat helter-skelter,
Wheyle monny ’mang the mingled group
O’ th’ geat war fit to swelter
Wi’ heat that day.
* * * * *
Whist! what’s yon noise amang yon crowd,
Yon rantin an’ huzzain?
Whar trumpets skirl an’ drums beat loud,
An’ organs sweet are pleyin.”
_Rosley Fair._
The Great Exhibition of the Industry of all Countries is the first
public national expression ever made in this country, as to the dignity
and artistic quality of labour.
Our “working men,” until within the last few years, we have been in the
habit of looking upon as mere labourers—as muscular machines—creatures
with whom the spinning-jenny and the power-loom might be brought into
competition, and whom the sense of fatigue, and consequent demand for
rest, rendered immeasurably inferior “as producers,” to the instruments
of brass and iron.
It is only within the last ten years, perhaps, that we have got to
acknowledge the artistic and intellectual quality of many forms of
manual labour, speaking of certain classes of operatives no longer as
handicraftsmen—that is to say, as men who, from long habit, acquired a
dexterity of finger which fitted them for the “automatic” performance of
certain operations,—but styling them artisans, or the artists of our
manufactures. It is because we have been so slow to perceive and express
this “great fact”—the artistic character of artisanship—that so much
intellectual power has been lost to society, and there has been so much
more toil and suffering in the world than there has been any necessity
for.
Had we, as a really great people, been impressed with the sense of the
heavy debt we owed to labour, we should long ago have sought to
acknowledge and respect the mental operations connected with many forms
of it, and have striven to have ennobled and embellished and enlivened
the intellect of those several modes of industry that still remained as
purely physical employments among us. Had the men of mind done as much
for the men of labour, as these had done for those, we might long ago
have learned how to have made toil pleasant rather than irksome, and to
have rendered it noble instead of mean.
The ploughman, at the tail of the plough, has been allowed to continue
with us almost the same animal as the horses in front of it, with no
other incentive to work but the craving of his stomach.
Public-domain text, read in full here on John Shaqi.
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