1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
New amusements were daily springing into existence, or old ones being
revived. The Chinese Collection had returned to the Metropolis, with a
family from Pekin, and a lady with feet two inches and a half long, as a
proof of the superior _standing_ she had in society; Mr. Catlin had
re-opened his Indian exhibition; Mr. Wyld had bought up the interior of
Leicester Square, with the view of cramming into it—“yea, the great
globe itself!” The geographical panoramas had rapidly increased, no less
than three Jerusalems having been hatched, as it were, by steam—like
eggs, by the patent incubator—within the last three weeks. “Australia”
and “New Zealand,” like floating islands, had shifted their quarters
from Miss Linwood’s Gallery to the Strand, while the cost of immigrating
thither for half-an-hour was reduced from sixpence for each country, to
“threepence all the way;” while those who felt indisposed for so long a
journey, could make the “Grand Tour of Europe” for one shilling, or take
the “Overland Route to India” for the same price, or be set down by the
Waterloo omnibus at the entrance to the “Dardanelles,” and see all over
“Constantinople” for less than a trip to Gravesend.
The road to the Crystal Palace had for a long time been an extraordinary
scene. Extensive trains of waggons stretched far away, like an Eastern
caravan, each waiting for its turn to be unloaded, monopolised one side
of the carriage-way. Omnibuses, with their roofs crowded with people,
went dashing by, while carts laden with building materials crept
leisurely along.
At almost every one of the public-houses some huge flag was flying from
the upper windows, and around the doors were groups of men and soldiers
either about to enter or depart. Along the edge of the foot-path stood
hawkers, shouting out the attractions of their wares—some had trays
filled with bright silvery-looking medals of the Exhibition—others,
pictures of it printed in gold on “gelatine cards”—while others had
merely barrows of nuts, baskets of oranges or trucks of the omnipresent
penny ginger-beer.
Groups of foreigners, their beards yellow with dust, walked along with
their hands stuck in their pockets, so as to make their full pantaloons
even fuller than ordinary; and as the omnibuses stopped to “pick up” or
“set down” their passengers, parties of Germans or Frenchmen were heard
jabbering loudly within. Along Rotten-row, endless troops of equestrians
galloped noiselessly along on the soft loose ground at the rear of the
Crystal Palace—in front of it an interminable line of carriages drawled
slowly past, and while some of those within thrust their heads out at
the windows, others leant back, so as to be able to see the height or
length of the giant building.
Public-domain text, read in full here on John Shaqi.
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