1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
Mrs. Sandboys, in her terror, threw her arms round about her husband’s
neck, so as effectually to prevent his rendering her the least
assistance; and so tightly did she cling to him, that it was some
considerable time before even the waterman could manage to lift either
the one or the other into the boat.
In a short while, however, the men of the Humane Society were on the
spot, attracted by the shrieks of the affrighted Mrs. Sandboys in the
water, and the sympathizing ladies on the shore.
The wretched Mrs. Sandboys, by the time she was extricated from the
flood, was, what with the fright and the water she had swallowed, almost
insensible, while Cursty had been held down sufficiently long by his
wife in the river to feel “far from himself.”
The moist and miserable couple were immediately carried to the Society’s
Receiving House, where, having been stripped of their drenched apparel,
and placed in warm beds, the attendants proceeded, some to rub them till
they were nearly flayed, and others to inflate their lungs, by means of
a pair of bellows being inserted up their nostrils.
Here they remained for some considerable time between the blankets of
the Humane Society, and when they were sufficiently invigorated to be
thought fit to leave the establishment, their dried clothes were brought
to them, in order that they might prepare for their return home.
Mrs. Sandboys, when she saw the limp and ungainly state of her
two-guinea chip bonnet, the artificial flowers of which looked as if
they had been boiled,—for the colours had run one into the other, and
dyed the once white bonnet like “Joseph’s coat of many colours,”—Mrs.
Sandboys, we repeat, when she saw the wreck of her former loveliness,
could not help bursting into tears, and indulging in the feminine luxury
of a “good cry.” Her green satin dress, which she had bought, as they
say, “expressly for the occasion,” had lost all its gloss and a good
part of its colour, which had run into her petticoats, till both the
satin and under clothing were about as green and attractive as a gingham
umbrella. Her bronze shoes she had left in the bed of the river, there
to astonish and puzzle some future geologist, when examining the fossils
in the miocene formation of the tertiary deposits; her auburn front,
too, had been unfortunately dried by a quick fire, so that the
foundation had shrivelled up, and the natural parting had been scorched
into a deep brown, while the hair looked as fuzzy and rusty as cocoa-nut
fibre.
Public-domain text, read in full here on John Shaqi.
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