1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
It was now Miss Wewitz’s turn to scream, which she did louder and
sharper than Miss Chutney had screamed before her—crying frantically,
“There’s a man in the house!—there’s a man!—there’s a man!—there’s a
man!” and then, determined to solve the mystery, she set off after the
two-legged cover of the globe as fast as her own legs would carry her.
The first object of M. le Comte de Sanschemise was to make for the
stairs that led to his bed-room; but with the huge leathern cover of the
globe over his head, and reaching nearly to his knees, it was impossible
for him to tell the direction in which he was going. In his eagerness to
escape detection, he ran towards the top of the kitchen stairs, instead
of the bottom of those that led to the upper part of the house; and Miss
Wewitz had just reached the music-room door when she saw him
precipitated headlong down the flight; and heard him afterwards, as he
got near to the bottom, go bump, bump—rolling heavily from stair to
stair, almost like the globe whose place he had taken.
Miss Wewitz shrieked involuntarily at the sight of the catastrophe—Miss
Chutney shrieked sympathetically—and Mrs. Wewitz, who came rushing from
the housekeeper’s room—and the servants, who came hurrying from the
kitchen—all shrieked, they hardly knew why or wherefore, but principally
because they heard the others shriek.
Then came all the Frenchmen, tearing down the stairs—two and three at a
time—some with their hair in paper, and a silk handkerchief thrown
hastily over their heads—others with the curling-tongs still in their
hands, and half their locks curled, and the other half hanging in matted
hanks about their faces—while others had one of their moustachios and
whiskers bright red, and the other jet black—others, again, were in
their paper collars, and others in embroidered slippers and no socks.
When Miss Wewitz saw the human avalanche descending from the first
landing, she uttered a piercing “Oh!” and, suddenly closing the door,
turned the key, so that she and Chutney at least might be safe. Then she
threw herself into the _fauteuil_, and buried her face in her
handkerchief—first tittering and then sobbing, and ultimately screaming,
and pattering her feet upon the carpet like two drum-sticks doing the
“roll” upon a drum.
The alarmed Chutney threw herself upon her neck, and begged her not to
“give way” so, for that she’d be sure to make herself ill—and that her
eyes would be red and swollen for hours afterwards.
“Indeed! indeed! Miss Wewitz, if you’ll only believe—it was no fault of
mine—indeed—and _indeed_ it wasn’t.”
Public-domain text, read in full here on John Shaqi.
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