1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
“Ha!” she exclaimed, as she caught a faint sight of a reflection of her
face, “it makes me look just like a cockatoo. I declare to goodness,
too, it quite hurts me to shut my eyes, and my nostrils are both drawn
up, for all the world as if I’d got under them a cup of that filthy
senna and prunes that Miss Wewitz will force us to take once a month—to
sweeten our blood, as she calls it, though it’s only to make us eat
less. I’m sure!”
As there was no bearing the torture of what Miss Chutney termed the
cockatoo-style of _coiffure_, she proceeded forthwith to arrange her
locks in a series of those hairy black puddings, which are known by the
name of sausage curls;—this done, she threw up the window, and looked
out into the gravelly and deserted playground, her arms resting on the
sill. In a few minutes she began singing, or rather humming to herself
thoughtlessly, the finale to “La Cenerentola,” and immediately, to her
great alarm, she saw the head of the Count de Sanschemise thrust from
one of the lower windows, and his face turned up towards her. Miss
Chutney stopped in the middle of one of her runs, and started back from
where she was standing. “Well, if that isn’t the French gentleman! and
he’ll be sure to fancy I did it on purpose,” she inwardly exclaimed.
“Oh, what ever will he think of me! I’d have given anything rather than
it should have occurred. It will be putting such silly notions in the
man’s head; making him think, I dare say, that one’s quite taken with
him, and _that_ I’m sure I’m not. He’s got very fine expressive eyes of
his own, certainly—but, oh dear! Frenchmen are so deceitful! His
countenance is the very image of that love of a head that Miss Tatting
did in crayons last ‘half.’ I wonder if he’s gone in yet.”
The latter remark Miss Chutney uttered in a half whisper, as if afraid
to let herself hear it; and then she crept softly back towards the
window, where she stood beside the shutters, stretching herself forward
by degrees, and raising herself on tiptoe, so that she might look down
without thrusting her head so far out as to be visible. Unfortunately,
however, just as she had got to the point of seeing the tassel of the
Count’s smoking cap, she lost her balance, and, tipping suddenly
forward, was thrust, head and shoulders, half out of the window. In the
fright of the moment she uttered a suppressed scream, and immediately
disappeared. “Gracious! gracious! and it’s impossible to let him know I
didn’t mean it,” she cried;—“it must have seemed to him for all the
world like as if I was calling to him. Oh dear! oh dear! oh dear!? and,
in the flurry of her emotions, she sat herself down on the top of the
screw-press for the table-cloths, that stood in the extreme corner of
the room, and hiding her face in her hands, beat a tattoo with her feet
on the floor in vexation at what had happened.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account